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Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / William E. Caplin.

By: Material type: TextTextSeries: ACLS Humanities E-BookPublisher: New York : Oxford University Press, 1998Description: 1 online resource (xii, 307 pages) : musicContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1602561214
  • 9781602561212
  • 9780195104806
  • 0195104803
  • 9780195355758
  • 019535575X
  • 1423759214
  • 9781423759218
  • 1280452641
  • 9781280452642
  • 9786610452644
  • 6610452644
  • 0199881758
  • 9780199881758
Subject(s): Genre/Form: Additional physical formats: Print version:: Classical form.DDC classification:
  • 784.18 22
LOC classification:
  • MT58 .C37 1998eb
Other classification:
  • 24.75
  • 784.18
Online resources:
Contents:
1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form.
Summary: Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form.

Includes bibliographical references (pages 289-292) and index.

Print version record.

Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven.

English.

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