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Der Begriff der Dichtung in der Frühen Neuzeit / Volkhard Wels.

By: Material type: TextTextSeries: Historia Hermeneutica. Series Studia ; ; 8.Publication details: Berlin ; New York : W. de Gruyter, ©2009.Description: 1 online resource (vii, 385 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783110224283
  • 3110224283
Subject(s): Genre/Form: Additional physical formats: Print version:: Begriff der Dichtung in der Frühen Neuzeit.DDC classification:
  • 809.1/02 22
LOC classification:
  • PN1164 .W45 2009eb
Other classification:
  • EC 3000
Online resources:
Contents:
Frontmatter; Inhaltsverzeichnis; Einleitung; Dichtung als argumentative Disziplin; Nachahmung als Gleichnishaftigkeit; Die Legitimität der Fiktion; Theologischer Exkurs; Göttliche Entrückung oder natürliche Begabung; Geschichte des Enthusiasmus; Genie und Affekt; Ausblick; Backmatter.
Summary: In the first section the study reconstructs the reception of Aristotle's Treatise on Poetry and the genesis of the concept of fiction. In the second part it reconstructs the history of the concept of inspiration, which around 1500 was still understood to be divine expression, but which in the course of the 16th and 17th century was reinterpreted to mean the specific talent of the poet. At the beginning of the 18th century this later evolved into the concept of genius. While fictionality became the defining feature of the novel, the specific inspired writing style became the main characteristic.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 335-375) and index.

Print version record.

Frontmatter; Inhaltsverzeichnis; Einleitung; Dichtung als argumentative Disziplin; Nachahmung als Gleichnishaftigkeit; Die Legitimität der Fiktion; Theologischer Exkurs; Göttliche Entrückung oder natürliche Begabung; Geschichte des Enthusiasmus; Genie und Affekt; Ausblick; Backmatter.

In the first section the study reconstructs the reception of Aristotle's Treatise on Poetry and the genesis of the concept of fiction. In the second part it reconstructs the history of the concept of inspiration, which around 1500 was still understood to be divine expression, but which in the course of the 16th and 17th century was reinterpreted to mean the specific talent of the poet. At the beginning of the 18th century this later evolved into the concept of genius. While fictionality became the defining feature of the novel, the specific inspired writing style became the main characteristic.

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