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Bach's cycle, Mozart's arrow : an essay on the origins of musical modernity / Karol Berger.

By: Material type: TextTextSeries: Simpson, imprint in humanitiesPublication details: Berkeley : University of California Press, ©2007.Description: 1 online resource (xi, 420 pages) : illustrations, musicContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780520933699
  • 0520933699
  • 9780520250918
  • 0520250915
Subject(s): Genre/Form: Additional physical formats: Print version:: Bach's cycle, Mozart's arrow.DDC classification:
  • 780.9/033 22
LOC classification:
  • ML195 .B47 2007eb
Other classification:
  • LP 38020
  • LP 38207
  • G:at S:gm Z:33
  • G:de S:gm Z:33
  • G:xa S:sm Z:33
  • 9,2
Online resources:
Contents:
Prelude : L'Orfeo, or the anxiety of the moderns -- Bach's cycle. The arrested procession ; A crystal flying like a bullet ; There is no time like God's time -- Interlude : Jean-Jacques contra Augustinum : a little treatise on moral-political theology -- Mozart's arrow. Mozart at play ; The hidden center ; Between incoherence and inauthenticity : Don Giovanni and Faust ; Die Zauberflöte, or the self-assertion of the moderns -- Postlude : between utopia and melancholy : Beethoven and the aesthetic state.
Summary: Uses the works of Monteverdi, Bach, Mozart, and Beethoven to support the claims that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously.
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 393-407) and index.

Prelude : L'Orfeo, or the anxiety of the moderns -- Bach's cycle. The arrested procession ; A crystal flying like a bullet ; There is no time like God's time -- Interlude : Jean-Jacques contra Augustinum : a little treatise on moral-political theology -- Mozart's arrow. Mozart at play ; The hidden center ; Between incoherence and inauthenticity : Don Giovanni and Faust ; Die Zauberflöte, or the self-assertion of the moderns -- Postlude : between utopia and melancholy : Beethoven and the aesthetic state.

Uses the works of Monteverdi, Bach, Mozart, and Beethoven to support the claims that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously.

Print version record.

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