Consensus and debate in Salazar's Portugal : visual and literary negotiations of the national text, 1933-1948 / Ellen W. Sapega.
Material type:
TextSeries: Penn State studies in Romance literaturesPublication details: University Park, Pa. : Pennsylvania State University Press, ©2008.Description: 1 online resource (x, 168 pages) : illustrationsContent type: - text
- computer
- online resource
- 9780271078601
- 027107860X
- Portuguese literature -- 20th century -- History and criticism
- Portugal -- Intellectual life
- National characteristics, Portuguese
- Politics and literature -- Portugal
- Arts -- Political aspects -- Portugal -- History -- 20th century
- Portuguese
- Portugais
- Politique et littérature -- Portugal
- Littérature portugaise -- 20e siècle -- Histoire et critique
- Arts -- Aspect politique -- Portugal -- Histoire -- 20e siècle
- Portugal -- Vie intellectuelle
- ART -- Performance
- ART -- Reference
- LITERARY CRITICISM / European / Spanish & Portuguese
- Arts -- Political aspects
- Intellectual life
- National characteristics, Portuguese
- Politics and literature
- Portuguese literature
- Portugal
- 1900-1999
- 700.9469/09043 22
- PQ9052 .S26 2008eb
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Print version record.
"A study of art, architecture and literature produced in Portugal and Cape Verde during the period 1933-1948. Documents artistic responses to images of the Portuguese nation promoted by the Salazar government's Office of State Propaganda. Examines the works of José de Almada Negreiros, Irene Lisboa, and Baltasar Lopes"--Provided by publisher.
Includes bibliographical references (pages 153-160) and index.
Staging memory : "the most Portuguese village in Portugal" and the exposition of the Portuguese world -- Between modernity and tradition : José de Almada Negreiros's visual commentaries on popular experience -- Family secrets : Irene Lisboa's critique of "God, pátria, and family" -- Imperial dreams and colonial nightmares : Baltasar Lopes's ambivalent embrace of Lusotropicalism -- Conclusion : memory and the collective imagination under the Estado Novo and in its aftermath.
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