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1989 : Bob Dylan didn't have this to sing about / Joshua Clover.

By: Material type: TextTextPublication details: Berkeley : University of California Press, ©2009.Description: 1 online resource (xiii, 187 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780520944640
  • 052094464X
  • 1282772635
  • 9781282772632
  • 9780520267879
  • 0520267877
Other title:
  • Nineteen eighty-nine
Subject(s): Genre/Form: Additional physical formats: Print version:: 1989.DDC classification:
  • 781.6409/048 22
LOC classification:
  • ML3470
Other classification:
  • 9,2
  • LS 48000
  • LS 48070
Online resources:
Contents:
The Bourgeois and the Boulevard -- The Second Summer of Love -- Negative Creep -- The Billboard Consensus -- The Image-Event and the Blind Spot.
Summary: In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility."
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

The Bourgeois and the Boulevard -- The Second Summer of Love -- Negative Creep -- The Billboard Consensus -- The Image-Event and the Blind Spot.

Print version record.

In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility."

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