Audience, agency and identity in Black popular culture / Shawan M. Worsley.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780203866573
- 0203866576
- 0415804868
- 9780415804868
- African Americans in popular culture -- History -- 20th century
- African American arts -- 20th century
- African Americans -- Intellectual life -- 20th century
- African Americans -- Race identity
- Racism in popular culture -- United States -- History -- 20th century
- Stereotypes (Social psychology) -- United States
- Hip-hop -- Social aspects -- United States
- Rap (Music) -- Social aspects -- United States
- Popular culture -- United States -- History -- 20th century
- Noirs américains -- Identité ethnique
- Stéréotypes -- États-Unis
- Hip-hop -- Aspect social -- États-Unis
- SOCIAL SCIENCE -- Ethnic Studies -- African American Studies
- African American arts
- African Americans in popular culture
- African Americans -- Intellectual life
- African Americans -- Race identity
- Popular culture
- Racism in popular culture
- Rap (Music) -- Social aspects
- Stereotypes (Social psychology)
- United States
- 1900-1999
- 305.896/07300904 22
- E185.625 .W624 2009eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Title from PDF title page (viewed Oct. 2, 2009).
Includes bibliographical references and index.
Race, racism and Black popular culture -- Making the past accountable : The wind done gone and stereotypes of Black women -- Audience reception through the lens of a $10 million dollar lawsuit -- Unholy narratives and shameless acts : Kara Walker's side-long glance -- Racist visual images? : museum comment books and viewer response -- Troubling Blackness : The source magazine and the hip-hop nation -- The narrative disrupted : reading letters, rewriting identity -- Conclusion : reframing debates and analyses of controversial Black culture.
Worsley analyses black cultural representations that appropriate anti-black stereotypes. Her examination furthers our understanding of the historical circumstances that are influencing contemporary representations of black subjects that are purposefully derogatory and documents the consequences of these images.
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