The Edinburgh history of Scottish literature. Vol. 3, Modern transformations, new identities (from 1918) / general and period editor, Ian Brown ; co-editors, Thomas Owen Clancy, Susan Manning, Murray Pittock.

Includes bibliographical references and indexes.

Print version record.

COVER; COPYRIGHT; Contents; Preface; 1 Changing Cultures: The History of Scotland since 1918; 2 Notes on a Small Country: Scotland's Geography since 1918; 3 Resistance to Monolinguality: The Languages of Scotland since 1918; 4 The International Reception and Literary Impact of Scottish Literature of the Period since 1918; 5 The Criticism of Scottish Literature: Tradition, Decline and Renovation; 6 Literature and the Screen Media since 1908; 7 Material Culture in Modern Scotland; 8 Sir James Frazer and Marian McNeill; 9 Hugh MacDiarmid.

10 Edwin and Willa Muir: Scottish, European and Gender Journeys, 1918-6911 'To Get Leave to Live': Negotiating Regional Identity in the Literature of North-East Scotland; 12 Disorientation of Place, Time and 'Scottishness': Conan Doyle, Linklater, Gunn, Mackay Brown and Elphinstone; 13 Past and Present: Modern Scottish Historical Fiction; 14 Tradition and Modernity: Gaelic Bards in the Twentieth Century; 15 Theatres, Writers and Society: Structures and Infrastructures of Theatre Provision in Twentieth- Century Scotland; 16 Cultural Catalysts: Sorley MacLean and George Campbell Hay.

17 Living with the Double Tongue: Modern Poetry in Scots18 Monsters and Goddesses: Culture Re-energised in the Poetry of Ruaraidh MacThòmais and Aonghas MacNeacail; 19 Old Country, New Dreams: Scottish Poetry since the 1970s; 20 The Lost Boys and Girls of Scottish Children's Fiction; 21 The Human and Textual Condition: Muriel Spark's Narratives; 22 From Carswell to Kay: Aspects of Gender, the Novel and the Drama; 23 The Autobiography in Scottish Gaelic; 24 Varieties of Voice and Changing Contexts: Robin Jenkins and Janice Galloway.

25 Breaking Boundaries: From Modern to Contemporary in Scottish Fiction26 Re-imagining the City: End of the Century Cultural Signs in the Novels of McIlvanney, Banks, Gray, Welsh, Kelman, Owens and Rankin; 27 The Border Crossers and Reconfiguration of the Possible: Poet-Playwright-Novelists from the Mid-Twentieth Century on; 28 In the Shadow of the Bard: The Gaelic Short Story, Novel and Drama since the early Twentieth Century; 29 Staging the Nation: Multiplicity and Cultural Diversity in Contemporary Scottish Theatre.

30 Varieties of Gender Politics, Sexuality and Thematic Innovation in Late Twentieth-Century Drama31 The Diaspora and its Writers; 32 New Diversity, Hybridity and Scottishness; Notes on Contributors -- Volume Three; Index.

In almost a century since the First World War ended, Scotland has been transformed in many rich ways. Its literature has been an essential part of that transformation. The third volume of the History, /i> explores the vibrancy of modern Scottish literature in all its forms and languages. Giving full credit to writing in Gaelic and by the Scottish diaspora, it brings together the best contemporary critical insights from three continents. It provides an accessible and refreshing picture of both the varieties of Scottish literatures and the kaleidoscopic versions of Scotland that mark literary developments since 1918. The other volumes in the History are: The Edinburgh History of Scottish Literature, Volume 1: From Columba to the Union (until 1707) The Edinburgh History of Scottish Literature, Volume 2: Enlightenment, Britain and Empire (1707-1918) Key Features Original - presents new approaches to what is literature and what is Scottishness. Inclusive - Gaelic and diasporic writing, Latin writing, theological writing, legal writing, and context chapters. Comprehensive - provides the fullest coverage of Scottish literature ever and the first survey for almost 20 years. Distinguished contributors from many countries. Influences the agenda for critical debate on Scottish writing in the twenty-first century.

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