Ecology and popular film : cinema on the edge / Robin L. Murray and Joseph K. Heumann.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781441603685
- 1441603689
- 0791477177
- 9780791477175
- Nature in motion pictures
- Ecology in motion pictures
- Nature au cinéma
- PERFORMING ARTS -- Film & Video -- Reference
- Ecology in motion pictures
- Nature in motion pictures
- Natur Motiv
- Ökologie Motiv
- Film
- Music, Dance, Drama & Film
- Film
- Film -- Motiv -- Ökologie
- Ökologie -- Motiv -- Film
- Ökologie
- Film
- Motiv (Film)
- Weltuntergang
- Naturen i filmen
- Ekologi i filmen
- Naturen på film
- Ekologi på film
- Geschichte 1950-2000
- Geschichte 1956-2006
- 791.43/66 22
- PN1995.9.N38 M87 2009eb
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 215-221) and index.
Includes filmography: pages 207-213.
Print version record.
"Ecology and Popular Film examines representations of nature in mainstream film while also looking at film itself as a form of nature writing. Considering a selection of mainstream movies that embrace a wide variety of environmental themes, Robin L. Murray and Joseph K. Heumann explore such themes as environmental politics, eco-terrorism, ecology and home, tragic and comic eco-heroes, the spectacular, and evolutionary narrative, in a manner that is both accessible and fun. The book also includes a comprehensive filmography of films that deal with environmental themes and issues." --Book Jacket.
Introduction : Reading the environment in popular culture -- Ecology and spectacle in Oil wells of Baku: close view : the first eco-disaster film? -- Environmental politics: Pare Lorentz's The river and the Tennessee Valley Authority -- Reconstructing underground urban space in Dark days -- Ecology, place, and home in Dark city: is it our nature to live in the dark? -- Environmental nostalgia and the tragic eco-hero: the case of Soylent green and the 1970s eco-disaster film -- The comic eco-hero: spoofing eco-disaster in Eight legged freaks -- Eco-terrorism in film: Pale rider and the revenge cycle -- Car culture and the transformation of the American landscape in The fast and the furious -- Film ecology: simulated construction and destruction in Hooper -- Apocalypse as a "return to normality" in 28 days later and 28 weeks later -- Conclusion : Al Gore's An inconvenient truth and its skeptics: a case of environmental nostalgia.
English.
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