Bootlegging : romanticism and copyright in the music industry / Lee Marshall.
Material type:
TextSeries: Theory, culture & society (Unnumbered)Publication details: London ; Thousand Oaks, Calif. : SAGE Publications, 2005.Description: 1 online resource (viii, 169 pages)Content type: - text
- computer
- online resource
- 9781847871442
- 1847871445
- 9781446215852
- 1446215857
- 128124001X
- 9781281240019
- Romanticism and copyright in the music industry
- Sound recordings -- Pirated editions
- Sound recordings -- Pirated editions -- Social aspects
- Copyright -- Music
- Copyright -- Music -- Social aspects
- Romanticism
- Enregistrements sonores -- Piratage
- Enregistrements sonores -- Piratage -- Aspect social
- Droit d'auteur -- Musique
- Droit d'auteur -- Musique -- Aspect social
- Romantisme
- romanticism (form of expression)
- SOCIAL SCIENCE -- Anthropology -- Cultural
- POLITICAL SCIENCE -- Public Policy -- Cultural Policy
- SOCIAL SCIENCE -- Popular Culture
- Copyright -- Music
- Romanticism
- Sound recordings -- Pirated editions
- Muziekindustrie
- Ongeoorloofde reproductie
- Romantiek
- Kunst
- 306.4842 22
- K1457.15 .M37 2005eb
- 20.14
- 24.45
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 160-167) and index.
Print version record.
Cover; Contents; Introduction; 1: Lessons from History; 2: Copyright and the Romantic Author; 3: Romanticism and Popular Music; 4: Romanticism, Copyright and Piracy; 5: Problems and Alternatives; 6: Introduction to Bootlegging; 7: An overview of Bootlegging; 8: The Impact of Bootlegging on the Record Industry and the Industry's Response; 9: The Dialectic of Romanticism and the Symbolic Significance of Bootlegging; Bibliography; Index.
A valuable and distinctive contribution to the penumbra debate, refreshingly shedding light on some of the clichés of copyright, and alerting readers to the extra-legal factors that cannot be ignored in any socially-embedded study of copyright' - Stuart Hannabuss, Aberdeen Business School. 'Bootlegging is a smart, provocative and highly readable analysis of the high theory and low practices of music copyright and its transgressors. It is most refreshing to read a sociological analysis of a topic usually left to lawyers and industry apologists. An essential book for anyone who wants to understa.
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