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Black lenses, Black voices : African American film now / Mark A. Reid.

By: Material type: TextTextSeries: Genre and beyondPublication details: Lanham, MD : Rowman & Littlefield, ©2005.Description: 1 online resource (viii, 136 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780742568617
  • 074256861X
  • 0742526410
  • 9780742526419
  • 0742526429
  • 9780742526426
Subject(s): Genre/Form: Additional physical formats: Print version:: Black lenses, Black voices.DDC classification:
  • 791.437508996073 22
LOC classification:
  • PN1995.9.N4 R43 2005eb
Other classification:
  • 24.34
Online resources:
Contents:
Early African American film, 1912-1940 -- Black family film: the 1990s -- Black action film after twenty years -- African American horror films -- Black female centered African American film -- Black independent film: Haile Gerima's Sankofa.
Summary: Black Lenses, Black Voices is a provocative look at films directed and written-and sometimes produced-by African Americans, as well as black-oriented films whose directors and or screenwriters are not black. Taking us through the development of African American independent filmmaking before and after World War II, Mark A. Reid then illustrates the unique nature of African American family, action, horror, female-centered, and independent films, such as Eve's Bayou, Jungle Fever, Shaft, Souls of Sin, Bones, Waiting to Exhale, Monster's Ball, Sankofa, and many more.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 121-125) and index.

Filmography: pages 127-132.

Early African American film, 1912-1940 -- Black family film: the 1990s -- Black action film after twenty years -- African American horror films -- Black female centered African American film -- Black independent film: Haile Gerima's Sankofa.

Print version record.

Black Lenses, Black Voices is a provocative look at films directed and written-and sometimes produced-by African Americans, as well as black-oriented films whose directors and or screenwriters are not black. Taking us through the development of African American independent filmmaking before and after World War II, Mark A. Reid then illustrates the unique nature of African American family, action, horror, female-centered, and independent films, such as Eve's Bayou, Jungle Fever, Shaft, Souls of Sin, Bones, Waiting to Exhale, Monster's Ball, Sankofa, and many more.

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