Syntagma musicum III / Michael Praetorius ; translated and edited by Jeffrey Kite-Powell.

By:

Praetorius, Michael, 1571-1621

Contributor(s):

Kite-Powell, Jeffery T

Material type: Text

TextLanguage: English Original language: German Series: Early music series (London, England : 1976)Publication details: Oxford ; New York : Oxford University Press, 2004.Description: 1 online resource (xxix, 265 pages) : musicContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780199722525
0199722528
9786610535323
6610535329
1280535326
9781280535321

Uniform titles:

Termini musici. English

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Syntagma musicum III.DDC classification:

780/.3 22

LOC classification:

ML100 .P8213 2004eb

Other classification:

24.80

Online resources:

Click here to access online

Contents:

FOUNDATION; Chapter 1 The Legal Context; Chapter 2 Forensic Mental Health Concepts; Chapter 3 Empirical Foundations and Limits; APPLICATION; Chapter 4 Preparation for the Evaluation; Chapter 5 Data Collection; Chapter 6 Interpretation; Chapter 7 Report Writing and Testimony; References; Tests and Specialized Tools; Case Law and Statutes; Key Terms; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; About the Authors.

Summary: Michael Praetorius (1571-1621) was one of the most versatile, wide-ranging, and prolific German composers of the seventeenth century. Also important as a theorist, his Syntagma Musicum, penned around 1619, was originally planned in four parts. He completed only three, with the first discussing the place of music in the church, while Volume II focused on musical instruments. Volume III deals with terminology, theoretical issues, and performance practice. More than any other source from this period, Volume III provides the most thorough coverage of performance practice issues of the late sixteen.

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Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 231-251) and index.

Print version record.

Michael Praetorius (1571-1621) was one of the most versatile, wide-ranging, and prolific German composers of the seventeenth century. Also important as a theorist, his Syntagma Musicum, penned around 1619, was originally planned in four parts. He completed only three, with the first discussing the place of music in the church, while Volume II focused on musical instruments. Volume III deals with terminology, theoretical issues, and performance practice. More than any other source from this period, Volume III provides the most thorough coverage of performance practice issues of the late sixteen.

English.

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