Paul Celan : studies in his early poetry / Hugo Bekker.

By:

Bekker, Hugo, 1925-

Material type: Text

TextLanguage: English Original language: German Series: Amsterdamer Publikationen zur Sprache und Literatur ; 157. Bd.Publication details: Amsterdam ; New York : Rodopi, 2008.Description: 1 online resource (xix, 248 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781435647145
1435647149

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Paul Celan.DDC classification:

831.912 22

LOC classification:

PT2605.E4 Z5841 2008eb

Online resources:

Click here to access online

Contents:

Paul Celan: Studies in His Early Poetry; Acknowledgments; Contents; Preface: Celan's Early Years; Introduction; I: The Beginnings, Part; II: The Beginnings, Part II; III: Poppies, Forgetfulness, Dreams, Rebels; IV: Things (Quasi- ) Medieval; V: War; VI: The Mother Figure; VII: On the Way to Todesfuge; VIII: Poetic Devices and Their Consequences; Appendix: The Lithographs in Der Sand aus den Urnen; Abbreviations; Bibliography; Index of Names; Index of German Celan Poems Cited

Summary: Paul Celan: Studies in His Early Poetry scrutinizes the influences detectable in the poems written during 1938-48. Among German writers, Büchner, Goethe, Gottfried von Strassburg, Gryphius, Mörike, the poet of the Nibelungenlied, Novalis, Rilke, and Trakl all provided motifs that, often repeated, make for a dense network inviting attention to the self-referential and self-revealing patterns in Celan's early work. In addition, there are many poems that contain motifs gleaned from Greek mythology and/or biblical data. These references, on occasion quite clear, more often so obscure as to be haz.

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Includes bibliographical references (pages 229-239) and index.

English and German.

Print version record.

Paul Celan: Studies in His Early Poetry scrutinizes the influences detectable in the poems written during 1938-48. Among German writers, Büchner, Goethe, Gottfried von Strassburg, Gryphius, Mörike, the poet of the Nibelungenlied, Novalis, Rilke, and Trakl all provided motifs that, often repeated, make for a dense network inviting attention to the self-referential and self-revealing patterns in Celan's early work. In addition, there are many poems that contain motifs gleaned from Greek mythology and/or biblical data. These references, on occasion quite clear, more often so obscure as to be haz.

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