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Palestinian cinema : landscape, trauma and memory / Nurith Gertz and George Khleifi.

By: Contributor(s): Material type: TextTextLanguage: English Original language: Hebrew Series: Traditions in world cinemaPublication details: Edinburgh : Edinburgh University Press, ©2008.Description: 1 online resource (vii, 224 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780748634095
  • 0748634096
  • 0748634088
  • 9780748634088
  • 1281224863
  • 9781281224866
  • 9780748671069
  • 0748671064
  • 9780748634071
  • 074863407X
Uniform titles:
  • Nof ba-ʻarafel. English
Subject(s): Genre/Form: Additional physical formats: Print version:: Palestinian cinema.DDC classification:
  • 791.43095694 22
LOC classification:
  • PN1995.9.A68 G4713 2008eb
Online resources:
Contents:
COPYRIGHT; Contents; Introduction; 1. A Chronicle of Palestinian Cinema; 2. From Bleeding Memories to Fertile Memories; 3. About Place and Time: The Films of Michel Khleifi; 4. Without Place, Without Time: The Films of Rashid Masharawi; 5. The House and its Destruction: The Films of Ali Nassar; 6. A Dead-End: Roadblock Movies; 7. Between Exile and Homeland: The Films of Elia Suleiman; Conclusion; Epilogue; Bibliography; Filmography; Index.
Summary: Although in recent years, the entire world has been increasingly concerned with the Middle East and Israeli-Palestinian relationship, there are few truly reliable sources of information regarding Palestinian society and culture, either concerning its relationship with Israeli society, its position between east and west or its stances in times of war and peace. One of the best sources for understanding Palestinian culture is its cinema which has devoted itself to serving the national struggle. In this book, two scholars - an Israeli and a Palestinian - in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They discover that the more the social, political and economic conditions worsen and chaos and pain prevail, the more Palestinian cinema becomes involved with the national struggle. As expected, Palestinian cinema has unfolded its national narrative against the Israeli narrative, which tried to silence it. Key Features The first, serious comprehensive study of Palestinian film. A rare collaboration between Israeli and Palestinian scholars. A reliable insight into Palestinian society and culture, and the Israeli-Palestinian relationship.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

"This book was first published (as Landscape in mist: space and memory in Palestinian cinema) in Herbrew in 2005 by Am Oved and the Open University, Tel Aviv"--Title page verso

Includes bibliographical references (pages 200-215) and index.

Includes filmography.

Print version record.

COPYRIGHT; Contents; Introduction; 1. A Chronicle of Palestinian Cinema; 2. From Bleeding Memories to Fertile Memories; 3. About Place and Time: The Films of Michel Khleifi; 4. Without Place, Without Time: The Films of Rashid Masharawi; 5. The House and its Destruction: The Films of Ali Nassar; 6. A Dead-End: Roadblock Movies; 7. Between Exile and Homeland: The Films of Elia Suleiman; Conclusion; Epilogue; Bibliography; Filmography; Index.

English.

Although in recent years, the entire world has been increasingly concerned with the Middle East and Israeli-Palestinian relationship, there are few truly reliable sources of information regarding Palestinian society and culture, either concerning its relationship with Israeli society, its position between east and west or its stances in times of war and peace. One of the best sources for understanding Palestinian culture is its cinema which has devoted itself to serving the national struggle. In this book, two scholars - an Israeli and a Palestinian - in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They discover that the more the social, political and economic conditions worsen and chaos and pain prevail, the more Palestinian cinema becomes involved with the national struggle. As expected, Palestinian cinema has unfolded its national narrative against the Israeli narrative, which tried to silence it. Key Features The first, serious comprehensive study of Palestinian film. A rare collaboration between Israeli and Palestinian scholars. A reliable insight into Palestinian society and culture, and the Israeli-Palestinian relationship.

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