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Worlds in common? : television discourse in a changing Europe / Kay Richardson and Ulrike H. Meinhof.

By: Contributor(s): Material type: TextTextPublication details: London ; New York : Routledge, 1999.Description: 1 online resource (vi, 197 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0203979486
  • 9780203979488
  • 9780415140607
  • 0415140609
  • 9780415140614
  • 0415140617
  • 9786610149278
  • 6610149275
  • 1134769903
  • 9781134769902
  • 1283711303
  • 9781283711302
  • 1280149272
  • 9781280149276
Subject(s): Genre/Form: Additional physical formats: Print version:: Worlds in common?.DDC classification:
  • 302.23/45/094 21
LOC classification:
  • PN1992.3.E78 R5 1999eb
Online resources:
Contents:
Machine generated contents note: pt. I semiotics of time in the third age of broadcasting -- 1. Regularity and change in 24-hour news -- 2. Timeliness: textual form and the beef crisis story -- 3. Liveness as synchronicity and liveness as aesthetic -- pt. II semiotics of space in the third age of broadcasting -- 4. Constructing Europe -- 5. Narrowcasting -- 6. Spatial relations and sociability -- pt. III Trash and quality -- 7. Bad television? -- 8. European high culture -- arts discourse in the new regime -- Worlds in common? Conclusions.
Summary: "Television discourse has undergone significant changes at the end of the twentieth century. Technological, economic and political upheavals in the European media have had a direct effect on programme form and meaning. Worlds in Common? is an innovative examination of these newly emerging forms of communication." "Worlds in Common? extends current debates about the future of a new multichannel media environment which is no longer confined within national boundaries, and how this affects the cultural lives of viewers. It is highly relevant for students and researchers of applied linguistics, media studies and communication studies."--Jacket.
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Includes bibliographical references (pages 182-188) and index.

Print version record.

"Television discourse has undergone significant changes at the end of the twentieth century. Technological, economic and political upheavals in the European media have had a direct effect on programme form and meaning. Worlds in Common? is an innovative examination of these newly emerging forms of communication." "Worlds in Common? extends current debates about the future of a new multichannel media environment which is no longer confined within national boundaries, and how this affects the cultural lives of viewers. It is highly relevant for students and researchers of applied linguistics, media studies and communication studies."--Jacket.

Machine generated contents note: pt. I semiotics of time in the third age of broadcasting -- 1. Regularity and change in 24-hour news -- 2. Timeliness: textual form and the beef crisis story -- 3. Liveness as synchronicity and liveness as aesthetic -- pt. II semiotics of space in the third age of broadcasting -- 4. Constructing Europe -- 5. Narrowcasting -- 6. Spatial relations and sociability -- pt. III Trash and quality -- 7. Bad television? -- 8. European high culture -- arts discourse in the new regime -- Worlds in common? Conclusions.

English.

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