Petrarch and his readers in the Renaissance / edited by Karl A.E. Enenkel, Jan Papy.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781435614659
- 1435614658
- 9047408500
- 9789047408505
- 851/.1 22
- PQ4491 .P47 2006eb
- 02.01
- digitized 2010 HathiTrust Digital Library committed to preserve
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Two essays in German.
Includes bibliographical references (page 325) and index.
Introduction:Towards a new approach of Petrarch's reception in the Renaissance--the 'Independent reader' / Karl A.E. Enenkel, Jan Papy -- Creating an 'Italian' friendship: from Petrarch's ideal literary critic 'Socrates' to the historical reader Ludovicus Sanctus of Beringen / Jan Papy -- Antiquarianism and politics in 14th-century Avignon: the humanism of Giovanni Cavallini / Marc Laureys -- "Interpres rerum tuarum"--Boccaccio und Petrarca, eine ungleiche Freundschaft / Ursula Kocher -- Petrarch in Bohemia: culture and civil life in the correspondence between Petrarch and Johann von Neumarkt / Ugo Dotti -- Der Petrarca des 'Petrarca-Meisters': zum Text-Bild-Verhältnis in illustrierten De remediis-Ausgaben / Karl A.E. Enenkel -- Speculative imagery in Petrarch's Von der Artzney bayder Glueck (1532) / Reindert L. Falkenburg -- "Quegli amori che son dolci senza amaritudine": the Petrarchist Bembo in The book of the courtier / Bart Van den Bossche -- An unusual biography: Cardano's horoscope of Petrarch / Dóra Bobory -- Visions of ruin: vanitas vanitatum in Du Bellay's Songe and Petrarch's Canzone delle visioni (Rime 323) / Reinier Leushuis -- Truth is just an option: Du Bellay's philosophical critique of imitation in Contre les Pétrarquistes / Dina De Rentiis -- Poetical and political readings of Petrarch's Rime in XVIth-century France: a critical revaluation / Jean Balsamo -- Petrarch translated and illustrated in Jan van der Noot's Theatre (1568) / Paul J. Smith.
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