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Body shots : early cinema's incarnations / Jonathan Auerbach.

By: Material type: TextTextPublication details: Berkeley : University of California Press, ©2007.Description: 1 online resource (xii, 200 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780520941199
  • 0520941195
  • 9781435611450
  • 1435611454
  • 1282772279
  • 9781282772274
  • 9786612772276
  • 6612772271
Subject(s): Genre/Form: Additional physical formats: Print version:: Body shots.DDC classification:
  • 791.43/656109041 22
LOC classification:
  • PN1995.9.B62 A84 2007eb
Online resources:
Contents:
Body, movement, space -- Looking in: McKinley at home -- Looking out: visualizing self-consciousness ; Interlude: the vocal gesture: sounding the origins of cinema -- Chasing film narrative -- Windows 1900; or, Life of an American fireman -- The stilled body.
Summary: Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentieth-century American incarnation of cinema itself.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 179-193) and index.

Print version record.

Body, movement, space -- Looking in: McKinley at home -- Looking out: visualizing self-consciousness ; Interlude: the vocal gesture: sounding the origins of cinema -- Chasing film narrative -- Windows 1900; or, Life of an American fireman -- The stilled body.

Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentieth-century American incarnation of cinema itself.

English.

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