Body shots : early cinema's incarnations / Jonathan Auerbach.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780520941199
- 0520941195
- 9781435611450
- 1435611454
- 1282772279
- 9781282772274
- 9786612772276
- 6612772271
- 791.43/656109041 22
- PN1995.9.B62 A84 2007eb
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 179-193) and index.
Print version record.
Body, movement, space -- Looking in: McKinley at home -- Looking out: visualizing self-consciousness ; Interlude: the vocal gesture: sounding the origins of cinema -- Chasing film narrative -- Windows 1900; or, Life of an American fireman -- The stilled body.
Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentieth-century American incarnation of cinema itself.
English.
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