Capital culture : a reader on modernist legacies, state institutions, and the value(s) of art / edited by Jody Berland and Shelley Hornstein.

Includes bibliographical references and index.

Print version record.

Contents -- Rich and Famous Wallpaper -- Intersection -- Illustrations -- Acknowledgments -- Where Was I/See the Sights -- Introduction -- Thoughts to Begin -- Nationalism and the Modernist Legacy: Dialogues with Innis -- Intersection -- Aesthetics and Politics in the Age of Global Markets -- Monopolies of Censorship: A Postmodern Footnote to Innis -- Postmodernism, Ethics, and Aesthetics in the Age of Global Markets -- The Old Age of Art and Money -- Art Money Madness: With Origins in Mind -- Marketing Culture and the Policies of Value

Ideas without Work/Work without Ideas: Reflections on Work, Value, and the VolkThe Cost of the Sublime: The Voice of Fire Controversy -- Colville and Patton: Two Paradigms of Value -- Whiffs of Balsam, Pine and Spruce: Art Museums and the Production of a Canadian Aesthetic -- Please Deposit Fifty Cents and Take Card from Slot Below -- Culture and the State -- Policying Culture: Canada, State Rationality, and the Governmentalization of Communication -- Le trésor de la langue: Visual Arts and State Policy in Québec -- Speculation (Blue Chip, Red Dot)

Technology, Globalization, and Cultural IdentityLearning the New Information Order -- This Is Your Messiah Speaking -- The Crisis of Naming in Canadian Film -- Thoughts to Close -- The Shape of Time and the Value of Art -- Certified Art Ad Series -- Contributors -- Three Works -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- ... It's Still Privileged Art -- Intersection

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