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Playing to the world's biggest audience : the globalization of Chinese film and TV / Michael Curtin.

By: Material type: TextTextPublication details: Berkeley : University of California Press, ©2007.Description: 1 online resource (x, 341 pages) : illustrations, mapsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780520940734
  • 0520940733
  • 0520251334
  • 9780520251335
  • 0520251342
  • 9780520251342
  • 9781429494588
  • 1429494581
Subject(s): Genre/Form: Additional physical formats: Print version:: Playing to the world's biggest audience.DDC classification:
  • 791.430951 22
LOC classification:
  • PN1993.5.C4 C87 2007eb
Online resources:
Contents:
The Pan-Chinese studio system and capitalist paternalism -- Independent studios and the golden age of Hong Kong cinema -- Hyperproduction erodes overseas circulation -- Hollywood takes charge in Taiwan -- The globalization of Hong Kong television -- Strange bedfellows in cross-strait drama production -- Market niches and expanding aspirations in Taiwan -- Singapore : from state paternalism to regional media hub -- Reterritorializing star TV in the PRC -- Global satellites pursuing local audiences and panregional efficiencies -- The promise of broadband and the problem of content -- From movies to multimedia : connecting infrastructure and content.
Summary: Delineates the globalizing pressures and opportunities that have dramatically transformed the terrain of Chinese film and television, including the end of the cold war, the rise of the World Trade Organization, and the escalation of democracy movements. This book examines the prospect of a global Chinese audience.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 313-323) and index.

Print version record.

The Pan-Chinese studio system and capitalist paternalism -- Independent studios and the golden age of Hong Kong cinema -- Hyperproduction erodes overseas circulation -- Hollywood takes charge in Taiwan -- The globalization of Hong Kong television -- Strange bedfellows in cross-strait drama production -- Market niches and expanding aspirations in Taiwan -- Singapore : from state paternalism to regional media hub -- Reterritorializing star TV in the PRC -- Global satellites pursuing local audiences and panregional efficiencies -- The promise of broadband and the problem of content -- From movies to multimedia : connecting infrastructure and content.

Delineates the globalizing pressures and opportunities that have dramatically transformed the terrain of Chinese film and television, including the end of the cold war, the rise of the World Trade Organization, and the escalation of democracy movements. This book examines the prospect of a global Chinese audience.

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