D.H. Lawrence and survival : Darwinism in the fiction of the transitional period / Ronald Granofsky.

By:

Granofsky, Ronald, 1950-

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780773571075
0773571078
0773525440
9780773525443
1282861174
9781282861176

Subject(s):

Genre/Form:

Additional physical formats: Print version:: D.H. Lawrence and Survival : Darwinism in the Fiction of the Transitional Period.DDC classification:

823/.912 22

LOC classification:

PR6023.A93 Z63112 2003eb

Online resources:

Click here to access online

Contents:

Lawrence and Darwin -- Food and illness : survival in the Ladybird novellas -- Confinement and survival in The lost girl and Aaron's rod -- Death and survival in the stories of England, my England -- Conclusion : the writer as gamekeeper.

Summary: Although Darwin's ideas about evolution were dominant in D.H. Lawrence's day, little scholarly work has been done on the influence of these concepts on his work. In D.H. Lawrence and Survival Ronald Granofsky argues that Lawrence employed ideas based on evolution in his fiction, particularly during the transition between his "marriage" and "leadership" periods (1919-22) when he embarked on a major rethinking of the direction of his creative work, and that these ideas contributed to the deterioration in his fiction after Women in Love.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 199-208) and index.

Print version record.

Although Darwin's ideas about evolution were dominant in D.H. Lawrence's day, little scholarly work has been done on the influence of these concepts on his work. In D.H. Lawrence and Survival Ronald Granofsky argues that Lawrence employed ideas based on evolution in his fiction, particularly during the transition between his "marriage" and "leadership" periods (1919-22) when he embarked on a major rethinking of the direction of his creative work, and that these ideas contributed to the deterioration in his fiction after Women in Love.

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