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The poetics of fascism : Ezra Pound, T.S. Eliot, Paul de Man / Paul Morrison.

By: Material type: TextTextSeries: Oxford University Press on-linePublication details: New York : Oxford University Press, 1996.Description: 1 online resource (177 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1429415444
  • 9781429415446
Subject(s): Genre/Form: Additional physical formats: Print version:: Poetics of fascism.DDC classification:
  • 811/.5209/358 22
LOC classification:
  • PS3531.O82 Z7542 1996eb
Online resources:
Contents:
1. Modernism (for the Other People); 2. Ezra Pound: The Poetics of Money; Translatio, Translation, Transportation; Carceral Poetics; "Jewspapers"; 3. T.S. Eliot: The Poetics of Failure; "The name that the family use daily"; Cartesian Poetics; "The corpse you planted"; 4. Paul de Man: The Poetics of Collaboration; Symmetrical Reversals; "The unthinkable structure"; "The best legacies"; Notes; Index; A; B; C; D; E; F; G; H; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.
Summary: Examining the modernist poetics of Ezra Pound and T.S. Eliot, this study traces their influence on the current crisis in post-structuralist literary theory. The author reveals a continuity between that theory and high modernism's tendency towards fascism.
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Includes bibliographical references (pages 147-170) and index.

Print version record.

1. Modernism (for the Other People); 2. Ezra Pound: The Poetics of Money; Translatio, Translation, Transportation; Carceral Poetics; "Jewspapers"; 3. T.S. Eliot: The Poetics of Failure; "The name that the family use daily"; Cartesian Poetics; "The corpse you planted"; 4. Paul de Man: The Poetics of Collaboration; Symmetrical Reversals; "The unthinkable structure"; "The best legacies"; Notes; Index; A; B; C; D; E; F; G; H; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.

Examining the modernist poetics of Ezra Pound and T.S. Eliot, this study traces their influence on the current crisis in post-structuralist literary theory. The author reveals a continuity between that theory and high modernism's tendency towards fascism.

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