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Critique of exotica : music, politics, and the culture industry / John Hutnyk.

By: Material type: TextTextPublication details: London ; Sterling, Va. : Pluto Press, 2000.Description: 1 online resource (261 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781849640770
  • 1849640777
  • 0745315542
  • 9780745315546
Subject(s): Genre/Form: Additional physical formats: Print version:: Critique of exotica.DDC classification:
  • 306.4/84 21
LOC classification:
  • ML3918.P67 H88 2000eb
Other classification:
  • 24.45
Online resources:
Contents:
Dub : introduction -- Adorno at Womad -- 'Dog tribe' -- Magical mystical tourism -- Authenticity or cultural politics? -- Internationalisms -- Critique of postcolonial Marxisms -- 'Naxalite' -- Conclusion : the culture industry.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: Annotation <div>In this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses ‘world’ music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress.</div>
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 239-250) and index.

Dub : introduction -- Adorno at Womad -- 'Dog tribe' -- Magical mystical tourism -- Authenticity or cultural politics? -- Internationalisms -- Critique of postcolonial Marxisms -- 'Naxalite' -- Conclusion : the culture industry.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

Print version record.

Annotation <div>In this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses ‘world’ music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress.</div>

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