Music hall & modernity : the late-Victorian discovery of popular culture / Barry J. Faulk.
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- text
- computer
- online resource
- 9780821441398
- 0821441396
- Music hall and modernity
- English literature -- 19th century -- History and criticism
- Music-halls (Variety-theaters, cabarets, etc.) in literature
- Music-halls (Variety-theaters, cabarets, etc.) -- England -- London -- History -- 19th century
- English literature -- England -- London -- History and criticism
- Performing arts -- England -- London -- History -- 19th century
- Popular culture -- England -- London -- History -- 19th century
- Performing arts in literature
- Popular culture in literature
- London (England) -- Intellectual life -- 19th century
- London (England) -- In literature
- Littérature anglaise -- 19e siècle -- Histoire et critique
- Littérature anglaise -- Angleterre -- Londres -- Histoire et critique
- Arts du spectacle -- Angleterre -- Londres -- Histoire -- 19e siècle
- Culture populaire -- Angleterre -- Londres -- Histoire -- 19e siècle
- Arts du spectacle dans la littérature
- Culture populaire dans la littérature
- Londres (Angleterre) -- Vie intellectuelle -- 19e siècle
- LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh
- HISTORY -- General
- English literature
- Intellectual life
- Literature
- Music-halls (Variety-theaters, cabarets, etc.)
- Music-halls (Variety-theaters, cabarets, etc.) in literature
- Performing arts
- Performing arts in literature
- Popular culture
- Popular culture in literature
- England -- London
- Music-halls
- Variété
- Populaire cultuur
- Modernisme (cultuur)
- 1800-1899
- 820.9/357 22
- PR468.M86 F38 2004eb
- 24.21
- digitized 2010 HathiTrust Digital Library committed to preserve
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Includes bibliographical references (pages 229-236) and index.
Introduction : the popular not the public -- Music hall : the middle class makes a subculture -- Camp expertise : Arthur Symons, music hall, and the defense of theory -- Spies and experts : Laura Ormiston Chant among late-Victorian professionals -- Tales of the culture industry : professional women, mimic men, and Victorian music hall -- "Spectacular" bodies : tableaux vivants at the Palace Theatre -- Conclusion : Cyrene at the Alhambra.
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The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of "the people." In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm,
English.
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