Beyond Casablanca : M.A. Tazi and the adventure of Moroccan cinema / Kevin Dwyer.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 0253111110
- 9780253111111
- 9780253344625
- 025334462X
- 9780253217196
- 0253217199
- 1282071599
- 9781282071599
- Tazi, M. A. (Mohamed Abderrahman) -- Interviews
- Tazi, M. A. (Mohamed Abderrahman) -- Entretiens
- Tazi, M. A. (Mohamed Abderrahman)
- Motion picture producers and directors -- Morocco -- Interviews
- Motion pictures -- Morocco
- Morocco -- Social life and customs -- 20th century
- Producteurs et réalisateurs de cinéma -- Maroc -- Entretiens
- Cinéma -- Maroc
- Maroc -- Moeurs et coutumes -- 2oe siècle
- PERFORMING ARTS -- Film & Video -- Direction & Production
- Manners and customs
- Motion picture producers and directors
- Motion pictures
- Morocco
- Filmkunst
- Films
- 1900-1999
- 791.4302/33/092 22
- PN1998.3.T397 A3 2004eb
- 24.32
- digitized 2010 HathiTrust Digital Library committed to preserve
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Introduction : third world, many worlds -- The most successful Moroccan film ever -- Interlude : film's power and function -- Building the national cinema, building a career -- Interlude : a first feature : The big trip (1981) -- Huston, Wise, Coppola, Camus ... and Pasolini, Scorsese ... and some others -- Badis (1989) -- Interlude : telling a story : narrative and symbols -- The other side of the wind, almost -- Interlude : Lalla hobby : the film -- Reflections and projections -- Conclusion : future flights of the bumblebee.
Print version record.
Dwyer explores the problems of creativity in the Arab and African world, focusing on Moroccan cinema and one of its key figures, filmmaker M.A. Tazi. The author develops three themes simultaneously: the filmmaker's career and films; filmmaking in postcolonial Morocco; and the relationship between Moroccan cinema, Third World and Arab cinema, and the global film industry.
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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL
http://purl.oclc.org/DLF/benchrepro0212
digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL
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