Figuring genre in Roman satire / Catherine Keane.

By:

Keane, Catherine

Material type: Text

TextSeries: American classical studies ; no. 50.Publication details: Oxford ; New York : Oxford University Press, 2006.Description: 1 online resource (182 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780195346022
0195346025
142376207X
9781423762072
9780195183306
0195183304
1280428643
9781280428647

Subject(s): Genre/Form:

Additional physical formats: Print version:: Figuring genre in Roman satire.DDC classification:

871/.070901 22

LOC classification:

PA6056 .K37 2006eb

Online resources:

Click here to access online

Contents:

The theatrics of satire -- Satiric attack -- Satire and the law -- Teaching satire -- Conclusion : observing Romans.

Action note:

digitized 2010 HathiTrust Digital Library committed to preserve

Summary: Satirists are social critics, but they are also products of society. Horace, Persius, and Juvenal, the verse satirists of ancient Rome, exploit this double identity to produce their colorful commentaries on social life and behavior. In a fresh comparative study that combines literary and cultural analysis, Catherine Keane reveals how the satirists create such a vivid and incisive portrayal of the Roman social world. Throughout the tradition, the narrating satirist figure does not observe human behavior from a distance, but adopts a range of charged social roles to gain access to his subject matter. In his mission to entertain and moralize, he poses alternately as a theatrical performer and a spectator, a perpetrator and victim of violence, a jurist and criminal, a teacher and student. In these roles, the satirist conducts penetrating analyses of Rome's definitive social practices "from the inside." Satire's reputation as the quintessential Roman genre is thus even more justified than previously recognized. As literary artists and social commentators, the satirists rival the grandest authors of the classical canon. They teach their ancient and modern readers two important lessons.; First, satire reveals the inherent fragilities and complications, as well as acknowledging the benefits, of Roman society's most treasured institutions. The satiric perspective deepens our understanding of Roman ideologies and their fault lines. As the poets show, no system of judgment, punishment, entertainment, or social organization is without its flaws and failures. At the same time, readers are encouraged to view the satiric genre itself as a composite of these systems, loaded with cultural meaning and highly imperfect. The satirist who functions as both subject and critic, trains his readers to develop a critical perspective on every kind of authority, including his own.

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Includes bibliographical references (pages 165-174) and index.

Print version record.

The theatrics of satire -- Satiric attack -- Satire and the law -- Teaching satire -- Conclusion : observing Romans.

Use copy Restrictions unspecified star MiAaHDL

Satirists are social critics, but they are also products of society. Horace, Persius, and Juvenal, the verse satirists of ancient Rome, exploit this double identity to produce their colorful commentaries on social life and behavior. In a fresh comparative study that combines literary and cultural analysis, Catherine Keane reveals how the satirists create such a vivid and incisive portrayal of the Roman social world. Throughout the tradition, the narrating satirist figure does not observe human behavior from a distance, but adopts a range of charged social roles to gain access to his subject matter. In his mission to entertain and moralize, he poses alternately as a theatrical performer and a spectator, a perpetrator and victim of violence, a jurist and criminal, a teacher and student. In these roles, the satirist conducts penetrating analyses of Rome's definitive social practices "from the inside." Satire's reputation as the quintessential Roman genre is thus even more justified than previously recognized. As literary artists and social commentators, the satirists rival the grandest authors of the classical canon. They teach their ancient and modern readers two important lessons.; First, satire reveals the inherent fragilities and complications, as well as acknowledging the benefits, of Roman society's most treasured institutions. The satiric perspective deepens our understanding of Roman ideologies and their fault lines. As the poets show, no system of judgment, punishment, entertainment, or social organization is without its flaws and failures. At the same time, readers are encouraged to view the satiric genre itself as a composite of these systems, loaded with cultural meaning and highly imperfect. The satirist who functions as both subject and critic, trains his readers to develop a critical perspective on every kind of authority, including his own.

Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL