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The new red Negro : the literary left and African American poetry, 1930-1946 / James Edward Smethurst.

By: Material type: TextTextSeries: Race and American culturePublication details: New York : Oxford University Press, 1999.Description: 1 online resource (xii, 288 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1423759923
  • 9781423759928
  • 1602566542
  • 9781602566545
Subject(s): Genre/Form: Additional physical formats: Print version:: New red Negro.DDC classification:
  • 811/.5209896073 22
LOC classification:
  • PS310.N4 S64 1999eb
Other classification:
  • 18.06
  • HU 1728
  • HU 1769
Online resources:
Contents:
Introduction: Of the coming of the new red negro -- African-American poetry, ideology, and the left during the 1930s and 1940s from the third period to the popular front and beyond -- "The strong men gittin' stronger": Sterling Brown and the respresentation and re-creation of the southern folk voice -- "Adventures of a social poet": Langston Highes in the 1930s -- "I am black and I have seen black hands": The narratorial consciousness and constructions of the folk in 1930s African-American poetry -- Hughes's Shakespeare in Harlem and the rise of popular neomodernism --Hysterical ties: Gwendolyn Brooks and the rise of a "high" neomodernism -- The popular front, World War II, and the rise of neomoderism in African-American poetry of the 1940s -- Conclusion: Sullen bakeries of total recall."
Summary: This text surveys African American poetry between the onset of the Depression and the early days of the Cold War. It considers the relationship between the thematic and formal choices of African American poets, and organized ideology from "proletarian" early 1930s to the "neo-modernist" late 1940s.
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Includes bibliographical references (pages 255-275) and index.

Introduction: Of the coming of the new red negro -- African-American poetry, ideology, and the left during the 1930s and 1940s from the third period to the popular front and beyond -- "The strong men gittin' stronger": Sterling Brown and the respresentation and re-creation of the southern folk voice -- "Adventures of a social poet": Langston Highes in the 1930s -- "I am black and I have seen black hands": The narratorial consciousness and constructions of the folk in 1930s African-American poetry -- Hughes's Shakespeare in Harlem and the rise of popular neomodernism --Hysterical ties: Gwendolyn Brooks and the rise of a "high" neomodernism -- The popular front, World War II, and the rise of neomoderism in African-American poetry of the 1940s -- Conclusion: Sullen bakeries of total recall."

This text surveys African American poetry between the onset of the Depression and the early days of the Cold War. It considers the relationship between the thematic and formal choices of African American poets, and organized ideology from "proletarian" early 1930s to the "neo-modernist" late 1940s.

Print version record.

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