Media ethics goes to the movies / Howard Good, Michael J. Dillon.

By:

Good, Howard, 1951-

Contributor(s):

Dillon, Michael, 1960-

Material type: Text

TextPublication details: Westport, Conn. : Praeger, 2002.Description: 1 online resource (xvi, 189 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

031301065X
9780313010651
1280315075
9781280315077
9786610315079
6610315078

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Media ethics goes to the movies.DDC classification:

791.43/653 22

LOC classification:

PN1995.5 .G66 2002eb

Other classification:

24.31

Online resources:

Click here to access online

Action note:

digitized 2010 HathiTrust Digital Library committed to preserve

Summary: Certain films seem to encapsulate perfectly the often abstract ethical situations that confront the media, from truth-telling and sensationalism to corporate control and social responsibility. Using these movies--including Ace in the Hole, All the President's Men, Network, and Twelve Angry Men--as texts, authors Howard Good and Michael Dillon demonstrate that, when properly framed and contextualized, movies can be a powerful lens through which to examine media practices.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Filmography: pages 181-184.

Includes bibliographical references and index.

Print version record.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

Certain films seem to encapsulate perfectly the often abstract ethical situations that confront the media, from truth-telling and sensationalism to corporate control and social responsibility. Using these movies--including Ace in the Hole, All the President's Men, Network, and Twelve Angry Men--as texts, authors Howard Good and Michael Dillon demonstrate that, when properly framed and contextualized, movies can be a powerful lens through which to examine media practices.

English.

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