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Plato's democratic entanglements : Athenian politics and the practice of philosophy / S. Sara Monoson.

By: Material type: TextTextPublication details: Princeton, N.J. : Princeton University Press, ©2000.Description: 1 online resource (xi, 252 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1400812720
  • 9781400812721
  • 1282767127
  • 9781282767126
  • 9781400823741
  • 1400823749
  • 9780691043661
  • 0691043663
Subject(s): Genre/Form: Additional physical formats: Print version:: Plato's democratic entanglements.DDC classification:
  • 320.438/5 21
LOC classification:
  • JC75.D36 M65 2000eb
Online resources:
Contents:
Aspects of the Athenian civic self-image. The allure of Harmodius and Aristogeiton: public/private relations in the Athenian democratic imaginary ; Citizen as Parrhesiastes (Frank Speaker) ; Citizen as Erastes (Lover): erotic imagery and the idea of reciprocity in the Periclean funeral oration ; Citizen as Theates (Theater-Goer): performing unity, reciprocity, and strong-mindedness in the City Dionysia -- Plato's democratic entanglements. Unsettling the orthodoxy ; Philosopher as Parrhesiates (Frank Speaker) ; Remembering Pericles: the political and theoretical import of Plato's Menexenus ; Theory and theatricality.
Summary: In this book, Sara Monoson challenges the longstanding and widely held view that Plato is a virulent opponent of all things democratic. She does not, however, offer in its place the equally mistaken idea that he is somehow a partisan of democracy. Instead, she argues that we should attend more closely to Plato's suggestion that democracy is horrifying and exciting, and she seeks to explain why he found it morally and politically intriguing. Monoson focuses on Plato's engagement with democracy as he knew it: a cluster of cultural practices that reach into private and public life, as well as a set of governing institutions. She proposes that while Plato charts tensions between the claims of democratic legitimacy and philosophical truth, he also exhibits a striking attraction to four practices central to Athenian democratic politics: intense antityrantism, frank speaking, public funeral oratory, and theater-going. By juxtaposing detailed examination of these aspects of Athenian democracy with analysis of the figurative language, dramatic structure, and arguments of the dialogues, she shows that Plato systematically links democratic ideals and activities to philosophic labor. Monoson finds that Plato's political thought exposes intimate connections between Athenian democratic politics and the practice of philosophy. Situating Plato's political thought in the context of the Athenian democratic imaginary, Monoson develops a new, textured way of thinking of the relationship between Plato's thought and the politics of his city.
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Includes bibliographical references and indexes.

Aspects of the Athenian civic self-image. The allure of Harmodius and Aristogeiton: public/private relations in the Athenian democratic imaginary ; Citizen as Parrhesiastes (Frank Speaker) ; Citizen as Erastes (Lover): erotic imagery and the idea of reciprocity in the Periclean funeral oration ; Citizen as Theates (Theater-Goer): performing unity, reciprocity, and strong-mindedness in the City Dionysia -- Plato's democratic entanglements. Unsettling the orthodoxy ; Philosopher as Parrhesiates (Frank Speaker) ; Remembering Pericles: the political and theoretical import of Plato's Menexenus ; Theory and theatricality.

Print version record.

In this book, Sara Monoson challenges the longstanding and widely held view that Plato is a virulent opponent of all things democratic. She does not, however, offer in its place the equally mistaken idea that he is somehow a partisan of democracy. Instead, she argues that we should attend more closely to Plato's suggestion that democracy is horrifying and exciting, and she seeks to explain why he found it morally and politically intriguing. Monoson focuses on Plato's engagement with democracy as he knew it: a cluster of cultural practices that reach into private and public life, as well as a set of governing institutions. She proposes that while Plato charts tensions between the claims of democratic legitimacy and philosophical truth, he also exhibits a striking attraction to four practices central to Athenian democratic politics: intense antityrantism, frank speaking, public funeral oratory, and theater-going. By juxtaposing detailed examination of these aspects of Athenian democracy with analysis of the figurative language, dramatic structure, and arguments of the dialogues, she shows that Plato systematically links democratic ideals and activities to philosophic labor. Monoson finds that Plato's political thought exposes intimate connections between Athenian democratic politics and the practice of philosophy. Situating Plato's political thought in the context of the Athenian democratic imaginary, Monoson develops a new, textured way of thinking of the relationship between Plato's thought and the politics of his city.

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