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Crash cultures : modernity, mediation and the material / edited by Jane Arthurs and Iain Grant.

By: Material type: TextTextPublication details: Bristol, UK ; Portland, OR : Intellect, 2003.Description: 1 online resource (v, 202 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1841508691
  • 9781841508696
  • 1280476842
  • 9781280476846
  • 1841500712
  • 9781841500713
Subject(s): Genre/Form: Additional physical formats: Print version:: Crash cultures.DDC classification:
  • 190/.9/04 21
LOC classification:
  • B804 .A78 2003eb
Online resources:
Contents:
Cover -- Preliminaries -- Contents -- Contributors -- 1 Introduction: Modernity, Mediation and the Material -- 2 'Will It Smash?': Modernity and the Fear of Falling -- 3 How it Feels -- 4 Eye-Hunger: Physical Pleasure and Non- Narrative Cinema -- 5 Crashed-Out: Laundry Vans, Photographs and a Question of Consciousness -- 6 Crash: Beyond the Boundaries of Sense -- 7 Sexcrash -- 8 Cyborgian Subjects and the Auto-Destruction of Metaphor -- 9 Spirit in Crashes: Animist Machines and the Powers of Number -- 10 Racing Fatalities: White Highway, Black Wreckage -- 11 Negative Dialectics of the Desert Crash in The English Patient -- 12 The Iconic Body and the Crash -- 13 Of Hallowed Spacings: Diana's Crash as Heterotopia -- 14 Fuel, Metal, Air: The Appearances and Disappearances of Amelia Earhart -- Postscript.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: Since Diana's car crash in August 1997, media interest in the crash as an event needing explanation has proliferated. A glut of documentaries on television have investigated the social and scientific history of our responses to the car crash, as well as showing the personal impact of the crash on individual lives. In trying to+J16 give meaning to one celebrity crash, the more general significance of the car crash, its challenge to rational control or explanation, its disregard for the subject and its will, became the focus for attention. Coincidentally, the two most newsworthy films of 1997 we.
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Print version record.

Since Diana's car crash in August 1997, media interest in the crash as an event needing explanation has proliferated. A glut of documentaries on television have investigated the social and scientific history of our responses to the car crash, as well as showing the personal impact of the crash on individual lives. In trying to+J16 give meaning to one celebrity crash, the more general significance of the car crash, its challenge to rational control or explanation, its disregard for the subject and its will, became the focus for attention. Coincidentally, the two most newsworthy films of 1997 we.

Cover -- Preliminaries -- Contents -- Contributors -- 1 Introduction: Modernity, Mediation and the Material -- 2 'Will It Smash?': Modernity and the Fear of Falling -- 3 How it Feels -- 4 Eye-Hunger: Physical Pleasure and Non- Narrative Cinema -- 5 Crashed-Out: Laundry Vans, Photographs and a Question of Consciousness -- 6 Crash: Beyond the Boundaries of Sense -- 7 Sexcrash -- 8 Cyborgian Subjects and the Auto-Destruction of Metaphor -- 9 Spirit in Crashes: Animist Machines and the Powers of Number -- 10 Racing Fatalities: White Highway, Black Wreckage -- 11 Negative Dialectics of the Desert Crash in The English Patient -- 12 The Iconic Body and the Crash -- 13 Of Hallowed Spacings: Diana's Crash as Heterotopia -- 14 Fuel, Metal, Air: The Appearances and Disappearances of Amelia Earhart -- Postscript.

Includes bibliographical references.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK). WlAbNL

Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. WlAbNL

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