Classics in film and fiction / edited by Deborah Cartmell, I.Q. Hunter, Heidi Kaye and Imelda Whelehan.

Contributor(s):

Cartmell, Deborah [editor.]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780585426723
0585426724
9781849645096
1849645094

Subject(s): Genre/Form:

Additional physical formats: Print version:: Classics in film and fiction.DDC classification:

791.43/6 21

LOC classification:

PN1997.85 .C56 2000eb

Other classification:

24.31

Online resources:

Click here to access online

Contents:

Introduction : classics across the film/literature divide / Heidi Kaye and Imelda Whelehan -- "If only you could see what I've seen with your eyes" : Blade Runner and La Symphonie Pastorale / Nick Peim -- Classic Shakespeare for all : Forbidden Planet and Prospero's Books, two screen adaptations of The Tempest / Sara Martin -- The red and the blue : Jane Eyre in the 1990s / Lisa Hopkins -- Transcultural aesthetics and the film adaptations of Henry James / Martin Halliwell -- "Hystorical" puritanism : contemporary cinematic adaptations of Nathaniel Hawthorne's The Scarlet Letter and Arthur Miller's The Crucible / Sergio Rizzo -- Mrs Dalloway and Orlando : the subject of time and generic transactions / Lesley Higgins and Marie-Christine Leps -- "Desire projected itself visually" : watching Death in Venice / Stuart Burrows -- Leopold Bloom walks and Jimmy Stewart stares : on motion, genre and the classic / Kay Young -- Trial and error : combinatory fidelity in two versions of Franz Kafka's The Trial / Paul M. Malone -- In Cold Blood : yellow birds, new realism and killer culture / Paul Wells -- Home by tea-time : fear of imagination in Disney's Alice in Wonderland / Deborah Ross.

Summary: The contributors to this volume negotiate the notion of a classic in film and fiction, exploring the growing interface and the blurring of boundaries between literature and film. They consider both canonical literary and film text.

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Includes bibliographical references and index.

The contributors to this volume negotiate the notion of a classic in film and fiction, exploring the growing interface and the blurring of boundaries between literature and film. They consider both canonical literary and film text.