A trauma artist : Tim O'Brien and the fiction of Vietnam / Mark A. Heberle.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 1587293285
- 9781587293283
- 0877457603
- 9780877457602
- O'Brien, Tim, 1946- -- Criticism and interpretation
- O'Brien, Tim, 1946-
- O'Brien, Tim, (1946- ...) -- Critique et interprétation
- O'Brien, Tim (Schriftsteller)
- Vietnam War, 1961-1975 -- Literature and the war
- Post-traumatic stress disorder -- United States
- War stories, American -- History and criticism
- Postmodernism (Literature) -- United States
- Psychic trauma in literature
- Soldiers in literature
- État de stress post-traumatique -- États-Unis
- Récits de guerre américains -- Histoire et critique
- Postmodernisme (Littérature) -- États-Unis
- Traumatisme psychique dans la littérature
- LITERARY CRITICISM -- American -- General
- Post-traumatic stress disorder
- Postmodernism (Literature)
- Psychic trauma in literature
- Soldiers in literature
- War
- War and literature
- War stories, American
- United States
- Vietnamkrieg
- Vietnam-oorlog
- Posttraumatische stressstoornis
- Fictie
- Amerikaans
- Guerre du Viet-Nam (1961-1975) -- Récits personnels américains
- Traumatisme -- Dans la littérature
- Soldats -- Dans la littérature
- Postmodernisme et littérature -- États-Unis
- Vietnam War (1961-1975)
- 1961-1975
- 813/.54 21
- PS3565.B75 Z65 2001eb
- 18.06
- digitized 2010 HathiTrust Digital Library committed to preserve
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 325-335) and index.
Introduction. Vietnam as Figure and Symptom: "We've All Been There" : A Trauma Artist ; The Fiction of Vietnam -- Fabricating Trauma : "The Vietnam in Me" ; O'Brien's Endless War ; Posttraumatic Stress Disorder and Vietnam ; PTSD and Writing ; O'Brien's Art of Trauma ; Writing Beyond Vietnam -- A Bad War : Origins of If I Die in a Combat Zone ; Fictionalized Testimony ; O'Brien's Self-Representation: Soldier Versus Writer ; Moral Combat ; Combat Zone as Source for a Career -- The Old Man and the Pond : Self-Displacement in Northern Lights ; Literary Mimicry: Realism, Symbolism, Allegory ; Harvey's Story: Vietnam as Tragicomedy ; Paul's Story: The Feminization of Virtue ; Novel Revisions -- A Soldier's Dream : The Re-covering of Trauma: Paul Berlin as Tim O'Brien ; Cacciato: From Short Stories to Trauma Narrative ; "Going After Cacciato": from Catalog to Breakdown ; Paul Berlin: From Breakdown to Trauma Writing ; The Quest for Cacciato: Fantasy and the Burial of the Dead ; The Observation Post: Retraumatization and Endless Fantasy -- The Bombs Are Real : An Ambitious Failure? ; The Traumatization of William Cowling ; Parabolic Fiction: Mutual Assured Destruction and Civil Defense ; The Nuclear Age and Vietnam ; The Failure of William Cowling -- True War Stories : Recirculated Trauma, Endless Fiction ; The Things They Carried as Self-Revision ; "How to Tell a True War Story": Misreading Tim O'Brien ; Other Refabrications of Trauma ; "The Lives of the Dead": Bringing Them Back Alive -- The People We Kill : Trauma, Tragedy, National Disgrace ; Metafictional Investigations ; The Breakdown of John Wade ; Tragic Revisions ; John Wade as Paradigm and Persona: Tim O'Brien's Trauma ; Psychobiography, History, and Fiction -- Guys Just Want to Have Fun : Vietnam and the Age of Clinton ; A Dictionary of Love ; In Defense of Thomas Chippering ; PTSD as Comedy/Vietnam as Parody ; Saving Tim O'Brien: Tomcat in Love as Countertherapy -- Conclusion. A Trauma Artist : Posttraumatic Nation ; Academic Polemics ; Responsible Dreams -- Appendix. Diagnostic Criteria for Posttraumatic Stress Disorder, DSM-IV.
A Trauma Artist examines how O'Brien's works variously rewrite his own traumatization during the war in Vietnam as a never-ending fiction that paradoxically "recovers" personal experience by both recapturing and (re)disguising it. Mark Heberle considers O'Brien's career as a writer through the prisms of post-traumatic stress disorder, postmodernist metafiction, and post-World War II American political uncertainties and public violence.
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