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Death and the mother from Dickens to Freud : Victorian fiction and the anxiety of origins / Carolyn Dever.

By: Material type: TextTextSeries: Cambridge studies in nineteenth-century literature and culture ; 17.Publication details: Cambridge ; New York : Cambridge University Press, 1998.Description: 1 online resource (xv, 233 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0511003617
  • 9780511003615
  • 0511585306
  • 9780511585302
Subject(s): Genre/Form: Additional physical formats: Print version:: Death and the mother from Dickens to Freud.DDC classification:
  • 823/.8093520431 21
LOC classification:
  • PR878.M69 D48 1998eb
Online resources:
Contents:
The lady vanishes -- Psychoanalytic cannibalism -- Broken mirror, broken wor-s: Bleak house -- Wilkie Collins and the secret of the mother's plot -- Denial, displacement, Deronda -- Calling Dr. Darwin --Virginia Woolf's "Victorian novel."
Summary: The cultural ideal of motherhood in Victorian Britain seems to be undermined by Victorian novels, which almost always represent mothers as incapacitated, abandoning or dead. Carolyn Dever argues that the phenomenon of the dead or missing mother in Victorian narrative is central to the construction of the good mother as a cultural ideal. Maternal loss is the prerequisite for Victorian representations of domestic life, a fact which has especially complex implications for women. When Freud constructs psychoanalytical models of family, gender and desire, he too assumes that domesticity begins with the death of the mother. Analysing texts by Dickens, Collins, Eliot, Darwin and Woolf, as well as Freud, Klein and Winnicott, Dever argues that fictional and theoretical narratives alike use maternal absence to articulate concerns about gender and representation. Psychoanalysis has long been used to analyse Victorian fiction; Dever contends that Victorian fiction has much to teach us about psychoanalysis.
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Includes bibliographical references (pages 213-229) and index.

The lady vanishes -- Psychoanalytic cannibalism -- Broken mirror, broken wor-s: Bleak house -- Wilkie Collins and the secret of the mother's plot -- Denial, displacement, Deronda -- Calling Dr. Darwin --Virginia Woolf's "Victorian novel."

Print version record.

The cultural ideal of motherhood in Victorian Britain seems to be undermined by Victorian novels, which almost always represent mothers as incapacitated, abandoning or dead. Carolyn Dever argues that the phenomenon of the dead or missing mother in Victorian narrative is central to the construction of the good mother as a cultural ideal. Maternal loss is the prerequisite for Victorian representations of domestic life, a fact which has especially complex implications for women. When Freud constructs psychoanalytical models of family, gender and desire, he too assumes that domesticity begins with the death of the mother. Analysing texts by Dickens, Collins, Eliot, Darwin and Woolf, as well as Freud, Klein and Winnicott, Dever argues that fictional and theoretical narratives alike use maternal absence to articulate concerns about gender and representation. Psychoanalysis has long been used to analyse Victorian fiction; Dever contends that Victorian fiction has much to teach us about psychoanalysis.

English.

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