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Destination culture : tourism, museums, and heritage / Barbara Kirshenblatt-Gimblett.

By: Material type: TextTextPublication details: Berkeley : University of California Press, ©1998.Description: 1 online resource (xviii, 326 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780520919488
  • 0520919483
  • 0585292779
  • 9780585292779
Subject(s): Genre/Form: Additional physical formats: Print version:: Destination culture.DDC classification:
  • 306/.074 21
LOC classification:
  • GN36 .U62.B478 1998eb
NLM classification:
  • 000092638
Other classification:
  • 20.13
  • 73.06
Online resources:
Contents:
The agency of display: Objects of ethnography ; Exhibiting Jews -- A second life as heritage: Destination museum ; Ellis Island ; Plimoth Plantation -- Undoing the ethnographic: Confusing pleasures ; Secrets of encounter -- Circulating Value: Disputing Taste.
Summary: Destination Culture deals with agencies of display in museums, festivals, world's fair, historical recreations, and tourist attractions. Drawing on the history of the avant-garde and the implications of its practices, Destination Culture attempts to theorize the artifact and the logic of exhibition in the context of lively debates about the death of museums, ascendancy of tourism, production of heritage, limits of multiculturalism, social efficacy of the arts, and circulation of value in the life world.Summary: With the question, "What does it mean to show?", the author explores the agency of display in museums and tourist attractions. She looks at how objects are made to perform their meaning by being collected and how techniques of display, not just the things shown, convey a powerful message.
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Includes bibliographical references (pages 283-314) and index.

Print version record.

The agency of display: Objects of ethnography ; Exhibiting Jews -- A second life as heritage: Destination museum ; Ellis Island ; Plimoth Plantation -- Undoing the ethnographic: Confusing pleasures ; Secrets of encounter -- Circulating Value: Disputing Taste.

Destination Culture deals with agencies of display in museums, festivals, world's fair, historical recreations, and tourist attractions. Drawing on the history of the avant-garde and the implications of its practices, Destination Culture attempts to theorize the artifact and the logic of exhibition in the context of lively debates about the death of museums, ascendancy of tourism, production of heritage, limits of multiculturalism, social efficacy of the arts, and circulation of value in the life world.

With the question, "What does it mean to show?", the author explores the agency of display in museums and tourist attractions. She looks at how objects are made to perform their meaning by being collected and how techniques of display, not just the things shown, convey a powerful message.

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