Jewish identity in modern art history / edited by Catherine M. Soussloff.
Material type: TextSeries: S. Mark Taper Foundation imprint in Jewish studiesPublication details: Berkeley : University of California Press, ©1999.Description: 1 online resource (x, 239 pages) : illustrationsContent type:- text
- computer
- online resource
- 9780520920675
- 0520920678
- 0585230080
- 9780585230085
- 704.03/924
- NX684.A5 J49 1999eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
pt. 1. Theories, laws, and disciplines. From Bezalʹel to Max Liebermann: Jewish art in nineteenth-century art-historical texts / Margaret Olin. Anti-Semitism and aniconism: the Germanophone requiem for Jewish visual art / Kalman P. Bland. To figure, or Not to figure: the iconoclastic proscription and its theoretical legacy / Lisa Saltzman -- pt. 2. Artists and collections. Jewish identity in art and history: Maurycy Gottlieb as early Jewish artist / Larry Silver. Collecting and collective memory: German expressionist art and modern Jewish identity / Robin Reisenfeld. Ethnic notions and feminist strategies of the 1970s: some work by Judy Chicago and Eleanor Antin / Lisa Bloom. Art history, German Jewish identity, and the emigration of iconology / Karen Michels. Reframing the self-criticism: Clement Greenberg's "modernist painting" in light of Jewish identity / Louis Kaplan. Meyer Schapiro's Jewish unconscious / Donald Kuspit. Aby Warburg: forced identity and "cultural science" / Charlotte Schoell-Glass.
"In the first comprehensive study of Jewish identity and its meaning for the history of art, eleven influential scholars illuminate the formative role of Jews as subjects of art-historical discourse. At the same time, their essays introduce to art history the issue of cultural identity in the production of scholarship." "Offering a new approach in which the cultural identities of art makers and interpreters play a constitutive role, this collection begins a trenchant dialogue that will revise our understanding of scholarly work in modern art history, Jewish studies, and cultural studies."--Jacket.
Print version record.
English.
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