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A spy in the enemy's country : the emergence of modern Black literature / by Donald A. Petesch.

By: Material type: TextTextPublication details: Iowa City : University of Iowa Press, 1989.Edition: 1st edDescription: 1 online resource (xi, 287 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1587291851
  • 9781587291852
Subject(s): Genre/Form: Additional physical formats: Print version:: Spy in the enemy's country.DDC classification:
  • 810/.9/896073 19
LOC classification:
  • PS153.N5 P45 1989eb
Online resources:
Contents:
Part one. Introduction -- Some motes in the nineteenth-century eye : on literary taste, the perception of difference, and white images of Blacks -- Differences in perception : Narrative of the Life of Frederick Douglass, Walden, and Invisible Man -- The probable and ordinary course of man's experience : antiromance tendencies in the Black literary tradition -- The experience of power and powerlessness and its expression in the literature -- The day had passed forever when I could be a slave in fact : the gathering of a self -- Who gave you a master and a mistress? God gave them to me : the role of morality in Black literature -- A spy in the enemy's country : masking in Black literature -- Part two. Introduction -- Charles W. Chesnutt -- James Weldon Johnson -- Wallace Thurman -- Nella Larsen -- Jean Toomer -- Conclusion.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: In Part One I examine the literary, historical, and social contexts within which the emerging Black literature took root. Conditions encouraged certain qualities in the literature, qualities which have persisted as racism has persisted: 1) a collective point of view; 2) the mimetic mode; 3) a sensitivity to the play of power; 4) a consciousness of the fragility of the self; 5) a predilection for the moral imperative; and 6) a recurrence of the tactic of masking. The preoccupation with identity and the self, among the writers considered in Part Two, grows out of the pressures explored in Part One. - p. x.
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Includes bibliographical references and index.

In Part One I examine the literary, historical, and social contexts within which the emerging Black literature took root. Conditions encouraged certain qualities in the literature, qualities which have persisted as racism has persisted: 1) a collective point of view; 2) the mimetic mode; 3) a sensitivity to the play of power; 4) a consciousness of the fragility of the self; 5) a predilection for the moral imperative; and 6) a recurrence of the tactic of masking. The preoccupation with identity and the self, among the writers considered in Part Two, grows out of the pressures explored in Part One. - p. x.

Part one. Introduction -- Some motes in the nineteenth-century eye : on literary taste, the perception of difference, and white images of Blacks -- Differences in perception : Narrative of the Life of Frederick Douglass, Walden, and Invisible Man -- The probable and ordinary course of man's experience : antiromance tendencies in the Black literary tradition -- The experience of power and powerlessness and its expression in the literature -- The day had passed forever when I could be a slave in fact : the gathering of a self -- Who gave you a master and a mistress? God gave them to me : the role of morality in Black literature -- A spy in the enemy's country : masking in Black literature -- Part two. Introduction -- Charles W. Chesnutt -- James Weldon Johnson -- Wallace Thurman -- Nella Larsen -- Jean Toomer -- Conclusion.

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