The returns of history : Russian Nietzscheans after modernity / Dragan Kujundzić.
Material type:
TextSeries: SUNY series, the margins of literaturePublication details: Albany : State University of New York Press, ©1997.Description: 1 online resource (xii, 219 pages)Content type: - text
- computer
- online resource
- 0585089760
- 9780585089768
- 9780791432334
- 0791432335
- 9780791432341
- 0791432343
- Nietzsche, Friedrich Wilhelm, 1844-1900 -- Influence
- Nietzsche, Friedrich Wilhelm, 1844-1900
- Nietzsche, Friedrich 1844-1900
- Russian literature -- 20th century -- History and criticism
- Formalism (Literary analysis) -- Soviet Union
- History -- History -- Philosophy
- Littérature russe -- 20e siècle -- Histoire et critique
- Formalisme (Littérature) -- URSS
- Histoire -- Histoire -- Philosophie
- LITERARY CRITICISM -- Russian & Former Soviet Union
- Formalism (Literary analysis)
- History -- Philosophy
- Influence (Literary, artistic, etc.)
- Russian literature
- Soviet Union
- Rezeption
- Russland
- Formalismus Literatur
- Nietzscheanismus
- Literatur
- Moderne
- Formalisme
- Russisch
- 1900-1999
- 891.709/1 20
- PG3026.F6 K85 1997eb
- 08.24
- 17.81
- 17.74
- 18.53
- KK 1110
- 7,41
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Includes bibliographical references (pages 205-214) and index.
Print version record.
1. Nietzsche. A Knight's Move: Nietzsche and the Genealogy of Russian Formalism. Russian Modernism: A Merry Science. The Modernist Paradigm and the Digestion of History -- 2. Parody. History as a Form of Parody/Parody as a Form of History. Parody, Bodily Remains, and the Leftovers of History. Tynianov and Bakhtin: Parody as a Malfunctioning Gramophone of History. On DerRIDEOlogy: Nietzschean Laughter in Bakhtin and Derrida. Bakhtin and the Post-Structuralist Condition. Writing and Laughter: Bakhtin and Derrida -- 3. Interval. The Interval and the Structure of Temporality. Maiakovsky and the Remains of the Literary Canon. The Interval as the Origin of the Work of Art: Akhmatova. Mandel'stam, Pasternak -- 4. Genre. The Literary Fact and the Law of Genre. Genre: A Borderline of Literary Space. Genre: A Borderline of Literary Time -- 5. Mausoleum. The Mummy: "The Most Glorious Victory of Form" Maiakovsky and the Ventriloquism of History.
Russian Formalism and the Birth of the Mausoleum -- 6. Museum. "The Wax Effigy" and the Form/aldehyde of History. The Kunstkamera: Museum in the Age of Mechanical Reproduction. The Circular Ruins of History. The Spurs of the Monument. "It is a Dying History": After Modernism.
Annotation. The following reading reading of Russian Formalism, Yury Tynianov's (1894-1943) and Mikhail Bakhtin's (1895-1975) work, and Russian Modernism in Stalinist culture, attempts a reinscription of their works and this period in the tradition of Russion Nietzscheanism.
English.
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