Mexican ballads, Chicano poems : history and influence in Mexican-American social poetry / José E. Limón.

By:

Limón, José Eduardo

Material type: Text

TextSeries: The New historicism ; 17.Publication details: Berkeley : University of California Press, c1992.Description: 1 online resource (xii, 219 p.)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780520911871
0520911873
0585119910
9780585119915

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Mexican ballads, Chicano poemsDDC classification:

811.009/86872 20

LOC classification:

PS153.M4

Online resources:

Click here to access online

Contents:

pt. 1. Politics, Poetics, and the Residual Precursors, 1848-1958. 1. Borders, Bullets, and Ballads: The Social Making of a Master Poem. 2. Américo Paredes, Tradition, and the First Ephebe: A Poetic Meditation on the Epic Corrido. 3. With His Pistol in His Hand: The Essay as Strong Sociological Poem -- pt. 2. Social Conflict, Emergent Poetry, and the New Ephebes. 4. Chicano Poetry and Politics: The Later Recognition of the Precursor. 5. My Old Man's Ballad: José Montoya and the Power Beyond. 6. The Daemonizing Epic: Rodolfo "Corky" Gonzales and the Poetics of Chicano Rebellion. 7. Juan Gómez-Quiñones: The Historian in the Poet and the Poetic Form of Androgyny -- App A. Harold Bloom: An Exposition and Left Critique -- App B. Juan Gomez-Quinones, "Canto al Trabajador" -- App C. Juan Gómez-Quiñones, "The Ballad of Billy Rivera.

Summary: Mexican Ballads, Chicano Poems combines literary theory with the personal engagement of a prominent Chicano scholar. Recalling his experiences as a student in Texas, José Limón examines the politically motivated Chicano poetry of the 60s and 70s. He bases his analyses on Harold Bloom's theories of literary influence but takes Bloom into the socio-political realm. Limón shows how Chicano poetry is nourished by the oral tradition of the Mexican corrido, or master ballad, which was a vital part of artistic and political life along the Mexican-U.S. border from 1890 to 1930.Limón's use of Bloom, as well as of Marxist critics Raymond Williams and Fredric Jameson, brings Chicano literature into the arena of contemporary literary theory. By focusing on an important but little-studied poetic tradition, his book challenges our ideas of the American canon and extends the reach of Hispanists and folklorists as well.

Item type:

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (p. 201-213) and index.

Description based on print version record and CIP data provided by publisher; resource not viewed.

Mexican Ballads, Chicano Poems combines literary theory with the personal engagement of a prominent Chicano scholar. Recalling his experiences as a student in Texas, José Limón examines the politically motivated Chicano poetry of the 60s and 70s. He bases his analyses on Harold Bloom's theories of literary influence but takes Bloom into the socio-political realm. Limón shows how Chicano poetry is nourished by the oral tradition of the Mexican corrido, or master ballad, which was a vital part of artistic and political life along the Mexican-U.S. border from 1890 to 1930.Limón's use of Bloom, as well as of Marxist critics Raymond Williams and Fredric Jameson, brings Chicano literature into the arena of contemporary literary theory. By focusing on an important but little-studied poetic tradition, his book challenges our ideas of the American canon and extends the reach of Hispanists and folklorists as well.

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide

There are no comments on this title.

to post a comment.