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Imitations of life : Fannie Hurst's Gaslight sonatas / Abe C. Ravitz.

By: Material type: TextTextPublication details: Carbondale : Southern Illinois University Press, ©1997.Description: 1 online resource (202 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0585128618
  • 9780585128610
  • 9780809386635
  • 0809386631
Subject(s): Genre/Form: Additional physical formats: Print version:: Imitations of life.DDC classification:
  • 813/.52 21
LOC classification:
  • PS3515.U785 Z86 1997eb
Online resources:
Contents:
Woman in the Big Town: Career and Life -- Recognition and Acclaim: Gaslight Sonatas -- Cinematic Visualization: The Novel -- Fashionable Shapes: Social Rhapsodies of the 1920s -- The Triumph of Industry: Women in Love -- Selected Short Stories of Fannie Hurst Published Before 1933.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: "In the early 1920s, Fannie Hurst's enormous popularity made her the highest-paid writer in America. She conquered the literary scene at the same time the silent movie industry began to emerge as a tremendously profitable and popular form of entertainment. Abe C. Ravitz parallels Hurst's growing acclaim with the evolution of silent films, from which she borrowed ideas and techniques that furthered her career. Ravitz notes that Hurst was amazingly adept at anticipating what the public wanted. Sensing that the national interest was shifting from rural to urban subjects, Hurst set her immigrant tales and her'woiking goil'tales in urban America. In her early stories, she tried to bridge the gap between Old World and New World citizens, each somewhat fearful and suspicious of the other. She wrote of love and ethnicity--bringing the Jewish Mother to prominence--of race relations and prejudice, of the woman alone in her quest for selfhood. Ravitz argues, in fact, that her socially oriented tales and her portraits of women in the city clearly identify her as a forerunner of contemporary feminism. Ravitz brings to life the popular culture from 1910 through the 1920s, tracing the meteoric rise of Hurst and depicting the colorful cast of characters surrounding her. He reproduces for the first time the Hurst correspondence with Theodore Dreiser, Charles and Kathleen Norris, and Gertrude Atherton. Fellow writers Rex Beach and Vachel Lindsay also play important roles in Ravitz's portrait of Hurst, as does Zora Neale Hurston, who awakened Hurst's interest in the Harlem Renaissance and in race relations, as shown in Hurst's novel Imitation of Life."--EBSCO.
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Includes bibliographical references and index.

Woman in the Big Town: Career and Life -- Recognition and Acclaim: Gaslight Sonatas -- Cinematic Visualization: The Novel -- Fashionable Shapes: Social Rhapsodies of the 1920s -- The Triumph of Industry: Women in Love -- Selected Short Stories of Fannie Hurst Published Before 1933.

Print version record.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

"In the early 1920s, Fannie Hurst's enormous popularity made her the highest-paid writer in America. She conquered the literary scene at the same time the silent movie industry began to emerge as a tremendously profitable and popular form of entertainment. Abe C. Ravitz parallels Hurst's growing acclaim with the evolution of silent films, from which she borrowed ideas and techniques that furthered her career. Ravitz notes that Hurst was amazingly adept at anticipating what the public wanted. Sensing that the national interest was shifting from rural to urban subjects, Hurst set her immigrant tales and her'woiking goil'tales in urban America. In her early stories, she tried to bridge the gap between Old World and New World citizens, each somewhat fearful and suspicious of the other. She wrote of love and ethnicity--bringing the Jewish Mother to prominence--of race relations and prejudice, of the woman alone in her quest for selfhood. Ravitz argues, in fact, that her socially oriented tales and her portraits of women in the city clearly identify her as a forerunner of contemporary feminism. Ravitz brings to life the popular culture from 1910 through the 1920s, tracing the meteoric rise of Hurst and depicting the colorful cast of characters surrounding her. He reproduces for the first time the Hurst correspondence with Theodore Dreiser, Charles and Kathleen Norris, and Gertrude Atherton. Fellow writers Rex Beach and Vachel Lindsay also play important roles in Ravitz's portrait of Hurst, as does Zora Neale Hurston, who awakened Hurst's interest in the Harlem Renaissance and in race relations, as shown in Hurst's novel Imitation of Life."--EBSCO.

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