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Representing the South Pacific : colonial discourse from Cook to Gauguin / Rod Edmond.

By: Material type: TextTextPublication details: New York : Cambridge University Press, 1997.Description: 1 online resource (xii, 307 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0585028168
  • 9780585028163
  • 9780511581854
  • 0511581858
  • 0511000677
  • 9780511000676
Subject(s): Genre/Form: Additional physical formats: Print version:: Representing the South Pacific.DDC classification:
  • 303.48/29504 21
LOC classification:
  • DU68.E85 E36 1997eb
Other classification:
  • 74.27
  • NQ 9300
  • RX 60977
Online resources:
Contents:
1. Introduction -- 2. Killing the god: the afterlife of Cook's death -- 3. Mutineers and beachcombers -- 4. Missionary endeavours -- 5. Trade and adventure -- 6. Taking up with kanakas: Robert Louis Stevenson and the Pacific -- 7. Skin and bones: Jack London's diseased Pacific -- 8. The French Pacific -- 9. Epilogue.
Summary: This book examines how the South Pacific was represented by explorers, missionaries, travellers, writers, and artists between 1767 and 1914 by drawing on history, literature, art history, and anthropology. Edmond engages with colonial texts and postcolonial theory, criticising both for their failure to acknowledge the historical specificity of colonial discourses and cultural encounters, and for continuing to see indigenous cultures in essentially passive or reactive terms. The book offers a detailed and grounded 'reading back' of these colonial discourses into the metropolitan centres which gave rise to them, while resisting the idea that all representations of other cultures are merely self-representations. Among its themes are the persistent myth-making around the figure of Cook, the western obsession with Polynesian sexuality, tattooing, cannibalism, and leprosy, and the Pacific as a theatre for adventure and as a setting for Europe's displaced fears of its own cultural extinction.
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Includes bibliographical references (pages 269-296) and index.

Print version record.

1. Introduction -- 2. Killing the god: the afterlife of Cook's death -- 3. Mutineers and beachcombers -- 4. Missionary endeavours -- 5. Trade and adventure -- 6. Taking up with kanakas: Robert Louis Stevenson and the Pacific -- 7. Skin and bones: Jack London's diseased Pacific -- 8. The French Pacific -- 9. Epilogue.

This book examines how the South Pacific was represented by explorers, missionaries, travellers, writers, and artists between 1767 and 1914 by drawing on history, literature, art history, and anthropology. Edmond engages with colonial texts and postcolonial theory, criticising both for their failure to acknowledge the historical specificity of colonial discourses and cultural encounters, and for continuing to see indigenous cultures in essentially passive or reactive terms. The book offers a detailed and grounded 'reading back' of these colonial discourses into the metropolitan centres which gave rise to them, while resisting the idea that all representations of other cultures are merely self-representations. Among its themes are the persistent myth-making around the figure of Cook, the western obsession with Polynesian sexuality, tattooing, cannibalism, and leprosy, and the Pacific as a theatre for adventure and as a setting for Europe's displaced fears of its own cultural extinction.

English.

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