Sing us a song, piano woman : female fans and the music of Tori Amos / Adrienne Trier-Bieniek.

By:

Trier-Bieniek, Adrienne M

Material type: Text

TextPublisher: Lanham, Maryland : The Scarecrow Press, Incorporated, 2013Description: 1 online resource (x, 169 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780810885516
0810885514

Subject(s): Genre/Form:

Additional physical formats: Print version:: Sing us a song, piano womanDDC classification:

782.42166092 23

LOC classification:

ML420.A5874

Online resources:

Click here to access online

Contents:

"Cock rock" and "teenybop" : Finding gender in pop music -- Challenging the pop culture portraint of female fans -- Musical healing -- Sing us a song, piano woman -- "I felt like I should do something" -- Moving forward.

Summary: Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos explores the many-layered relationships female fans build with feminist musicians in general and with Tori Amos, in particular. Using original interview research with more than forty fans of Tori Amos, multiple observer-participant experiences at Amos's concerts, and critical content analysis of Amos's lyrics and larger body of work, Adrienne Trier-Bieniek utilizes a combination of gender, emotions, music, and activism to unravel the typecasts plaguing female fans. Trier-Bi.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 157-160) and index.

Description based on print version record and CIP data provided by publisher; resource not viewed.

Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos explores the many-layered relationships female fans build with feminist musicians in general and with Tori Amos, in particular. Using original interview research with more than forty fans of Tori Amos, multiple observer-participant experiences at Amos's concerts, and critical content analysis of Amos's lyrics and larger body of work, Adrienne Trier-Bieniek utilizes a combination of gender, emotions, music, and activism to unravel the typecasts plaguing female fans. Trier-Bi.

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