Behold the land the black arts movement in the South / James Smethurst.
Material type:
TextSeries: John Hope Franklin Series in African American History and CulturePublisher: Chapel Hill : The University of North Carolina Press, 2021Description: 1 online resource 7 halftonesISBN: - 1469663066
- 9781469663067
- Black Arts movement -- Southern States
- American literature -- African American authors -- History and criticism
- African Americans in literature
- Black nationalism in literature
- Black nationalism -- Southern States -- History -- 20th century
- African Americans -- Southern States -- Intellectual life -- 20th century
- Black Arts (Mouvement artistique) -- États-Unis (Sud)
- Noirs américains dans la littérature
- Nationalisme noir dans la littérature
- Nationalisme noir -- États-Unis (Sud) -- Histoire -- 20e siècle
- Noirs américains -- États-Unis (Sud) -- Vie intellectuelle -- 20e siècle
- SOCIAL SCIENCE / Ethnic Studies / African American Studies
- African Americans in literature
- African Americans -- Intellectual life
- American literature -- African American authors
- Black Arts movement
- Black nationalism
- Black nationalism in literature
- Southern States
- 1900-1999
- 810.9/896073 23
- PS153.N5
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
"In the mid-1960s, African American artists and intellectuals formed the Black Arts movement in tandem with the Black Power movement, with creative luminaries like Amiri Baraka, Gwendolyn Brooks, Toni Cade Bambara, and Gil Scott-Heron among their number. In this follow-up to his award-winning history of the movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement in the South from the 1960s until the early 1980s"-- Provided by publisher.
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