Fragmented memories and screening nostalgia for the Cultural Revolution / Jing Meng.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9888053493
- 9789888053490
- 791.430951 23
- PN1993.5.C4 M46 2020
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Online resource; title from PDF title page (viewed October 28, 2020).
This title asserts that films and TV dramas about the Cultural Revolution made after China's accession to the WTO in 2001 tend to represent personal memories in a markedly sentimental, nostalgic, and fragmented manner. This new trend is a significant departure from earlier films about the subject, which are generally interpreted as national allegories, not private expressions of grief, regret or other personal feelings.
Includes filmography (pages 147-148) and bibliographical references (pages 149-165).
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