The little art colony and US modernism : Carmel, Provincetown, Taos / Geneva M. Gano.
Material type:
TextSeries: Modern American literature and the new twentieth centuryPublisher: Edinburgh : Edinburgh University Press, 2020Description: 1 online resourceContent type: - text
- computer
- online resource
- 9781474490955
- 1474490956
- 9781474439770
- 1474439772
- 9781474439787
- 1474439780
- Artist colonies -- California -- Carmel -- History -- 20th century
- Artist colonies -- Massachusetts -- Provincetown -- History -- 20th century
- Artist colonies -- Missouri -- Taos -- History -- 20th century
- Artists and community -- United States -- History -- 20th century
- Electronic books
- Colonies d'artistes -- Californie -- Carmel -- Histoire -- 20e siècle
- Colonies d'artistes -- Massachusetts -- Provincetown -- Histoire -- 20e siècle
- Relations artistes-collectivité -- États-Unis -- Histoire -- 20e siècle
- Livres numériques
- e-books
- LITERARY CRITICISM -- General
- Artist colonies
- Artists and community
- California -- Carmel
- Massachusetts -- Provincetown
- United States
- 1900-1999
- 709.73 23
- NX511.C37 G36 2020
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Print version record.
Intro -- The Little Art Colony and US Modernism -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Modernism beyond the Metropolis -- Part I Carmel -- 1 Race, Place and Cultural Production in Carmel-by-the-Sea -- 2 Robinson Jeffers, the Art Worker and the 'Carmel Idea' -- Part II Provincetown -- 3 Building the Beloved Community in Provincetown -- 4 Eugene O'Neill: Superpersonalisation and Racial Spectacularism -- Part III Taos -- 5 Cultivating the Taos Mystique -- 6 'Something Stood Up in my Soul': D.H. Lawrence in Taos
Epilogue: The Afterlife of the Little Arts Colony: Institutionalising Creative Collectivities -- Notes -- Index
This book is first to historicise and theorise the significance of the early twentieth-century little art colony as a uniquely modern social formation within a global network of modernist activity and production.
Includes bibliographical references and index.
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