Reframing screen performance / Cynthia Baron and Sharon Marie Carnicke.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780472025411
- 0472025414
- 1282597604
- 9781282597600
- 9786612597602
- 6612597607
- 791.4302/8 22
- PN1995.9.A26
- digitized 2010 HathiTrust Digital Library committed to preserve
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Print version record.
PART I: Cinema's varied use of gestures and expressions. Crafting, not capturing "natural" behavior on film -- Giving performance elements their due -- Thinking systematically about acting. PART II: Performance elements, cinematic conventions, and cultural traditions. Ostensive signs and performance montage -- Case study: Chaplin in city lights -- Acting choices and changing cinematic conventions -- Case studies: adaptations of Romeo and Juliet and Hamlet -- Acting styles and cultural-aesthetic traditions -- Case studies: seven Samurai and the magnificent seven. PART III: Terms and concepts from the craft of acting -- Delsarte and the dynamics of human expression -- Case study: smoke -- Laban: temporal and spatial dimensions of movement -- Case study: training day -- Stanislavsky: players' actions as a window into characters' interactions -- Case study: The Grifters.
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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL
http://purl.oclc.org/DLF/benchrepro0212
English.
digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL
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