Reading behind the lines : postmemory in contemporary British war fiction / Natasha Alden.
Material type:
TextPublisher: Manchester, UK : Manchester University Press, 2014Copyright date: ©2014Description: 1 online resource (vii, 228 pages)Content type: - text
- computer
- online resource
- 1526102609
- 9781526102607
- 9781781706367
- 1781706360
- Andrae, A
- Englisch
- Waters, Sarah, 1966- Night watch
- Barker, Pat, 1943- Regeneration trilogy
- Waters, Sarah, 1966- Night Watch
- McEwan, Ian, 1948- Atonement
- English fiction -- 20th century -- History and criticism
- English fiction -- 21st century -- History and criticism
- War in literature
- Memory in literature
- History in literature
- Roman anglais -- 20e siècle -- Histoire et critique
- Roman anglais -- 21e siècle -- Histoire et critique
- Guerre dans la littérature
- Mémoire dans la littérature
- Histoire dans la littérature
- LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh
- War in literature
- History in literature
- War and literature
- English fiction
- Memory in literature
- Great Britain
- Weltkrieg 1914-1918, Motiv
- Weltkrieg 1939-1945, Motiv
- Erinnerung
- World War, 1914-1918 -- Literature and the war
- World War, 1939-1945 -- Literature and the war
- War in literature
- Memory in literature
- Trauma in literature -- 20th century -- History and criticism
- Historical fiction
- 1900-2099
- 823.0093581 23
- PR888.W37 A43 2014eb
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Includes bibliographical references and index.
Introduction -- Regenerating the past : fact and fiction in the Regeneration trilogy -- "In the beginning was the word; and to that it came back in the long run" : Briony Tallis and Atonement -- Lesbian postmemory : haunted "history" in The night watch -- Conclusion.
This study applies the concept of postmemory, developed in Holocaust studies, to novels by contemporary British writers. The first monograph-length study of postmemory in British fiction, it focuses on a group of texts about the World Wars.
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