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Theory and practice in eighteenth-century dance : the German-French connection / Tilden Russell.

By: Material type: TextTextSeries: University of Delaware Press studies in 17th- and 18th- century art and culturePublisher: Newark : University of Delaware Press, 2017Description: 1 online resource : illustrations (black and white, and colour)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781611496628
  • 1611496624
  • 9781644530238
  • 1644530236
Subject(s): Genre/Form: Additional physical formats: Print version:: Theory and practice in eighteenth-century dance.DDC classification:
  • 792.8014809033 23
LOC classification:
  • GV1588
Online resources:
Contents:
<Span><span>Acknowledgments </span></span><br /><span><span>Introduction </span></span><br /><span><span>List of Illustrations </span></span><br /><span><span>List of Abbreviations </span></span><br /><span><span>Chapter 1: Anatomy of a Dedication: Gottfried Taubert, His Dedicatee, and the Feuillet Analogy</span></span><br /><span><span>Chapter 2: Taubert in Danzig, and the German Reception of the </span><span style="font-style:italic;">Chorégraphie</span></span><br /><span><span>Chapter 3: In Defense of Behr: Taubert's Contemporaries Revisited </span></span><br /><span><span>Chapter 4:Concordance of German Dance Treatises, 1703-1717</span></span><br /><span><span>Chapter 5: Feuillet, Taubert, Philipp Gumpenhueber, and the Spread of Beauchamps-Feuillet Notation </span></span><br /><span><span>Chapter 6: Dance Theory in Germany and England, 1703-1721 </span></span><br /><span><span>Postscript: Kleist's "Über das Marionettentheater" </span></span><br /><span><span>Bibliography </span></span><br /><span><span>Index </span></span><br /><span><span>About that Author</span></span>
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<Span><span>Acknowledgments </span></span><br /><span><span>Introduction </span></span><br /><span><span>List of Illustrations </span></span><br /><span><span>List of Abbreviations </span></span><br /><span><span>Chapter 1: Anatomy of a Dedication: Gottfried Taubert, His Dedicatee, and the Feuillet Analogy</span></span><br /><span><span>Chapter 2: Taubert in Danzig, and the German Reception of the </span><span style="font-style:italic;">Chorégraphie</span></span><br /><span><span>Chapter 3: In Defense of Behr: Taubert's Contemporaries Revisited </span></span><br /><span><span>Chapter 4:Concordance of German Dance Treatises, 1703-1717</span></span><br /><span><span>Chapter 5: Feuillet, Taubert, Philipp Gumpenhueber, and the Spread of Beauchamps-Feuillet Notation </span></span><br /><span><span>Chapter 6: Dance Theory in Germany and England, 1703-1721 </span></span><br /><span><span>Postscript: Kleist's "Über das Marionettentheater" </span></span><br /><span><span>Bibliography </span></span><br /><span><span>Index </span></span><br /><span><span>About that Author</span></span>

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