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Mechanism : a visual, lexical, and conceptual history / Domenico Bertoloni Meli.

By: Material type: TextTextPublisher: Pittsburgh, Pa. : University of Pittsburgh Press, [2019]Description: 1 online resource (xii, 188 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780822986522
  • 0822986523
Subject(s): Genre/Form: Additional physical formats: Print version:: Mechanism.DDC classification:
  • 146/.6 23
LOC classification:
  • BD553 .M45 2019eb
Online resources:
Contents:
Framing mechanisms -- Mechanism and visualization -- "The very word mechanism" -- Mechanisms as investigative projects.
Summary: The mechanical philosophy first emerged as a leading player on the intellectual scene in the early modern period--seeking to explain all natural phenomena through the physics of matter and motion--and the term mechanism was coined. Over time, natural phenomena came to be understood through machine analogies and explanations and the very word mechanism, a suggestive and ambiguous expression, took on a host of different meanings. Emphasizing the important role of key ancient and early modern protagonists, from Galen to Robert Boyle, this book offers a historical investigation of the term mechanism from the late Renaissance to the end of the seventeenth century, at a time when it was used rather frequently in complex debates about the nature of the notion of the soul. In this rich and detailed study, Domenico Bertoloni Meli focuses on strategies for discussing the notion of mechanism in historically sensitive ways; the relation between mechanism, visual representation, and anatomy; the usage and meaning of the term in early modern times; and Marcello Malpighi and the problems of fecundation and generation, among the most challenging topics to investigate from a mechanistic standpoint.
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Print version record.

Framing mechanisms -- Mechanism and visualization -- "The very word mechanism" -- Mechanisms as investigative projects.

The mechanical philosophy first emerged as a leading player on the intellectual scene in the early modern period--seeking to explain all natural phenomena through the physics of matter and motion--and the term mechanism was coined. Over time, natural phenomena came to be understood through machine analogies and explanations and the very word mechanism, a suggestive and ambiguous expression, took on a host of different meanings. Emphasizing the important role of key ancient and early modern protagonists, from Galen to Robert Boyle, this book offers a historical investigation of the term mechanism from the late Renaissance to the end of the seventeenth century, at a time when it was used rather frequently in complex debates about the nature of the notion of the soul. In this rich and detailed study, Domenico Bertoloni Meli focuses on strategies for discussing the notion of mechanism in historically sensitive ways; the relation between mechanism, visual representation, and anatomy; the usage and meaning of the term in early modern times; and Marcello Malpighi and the problems of fecundation and generation, among the most challenging topics to investigate from a mechanistic standpoint.

Includes bibliographical references and index.

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