Ritual soundings : women performers and world religions / Sarah Weiss.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780252051135
- 0252051130
- Women musicians
- Gender identity in music
- Music -- Religious aspects
- Marriage customs and rites
- Women -- Social conditions
- Musiciennes
- Identité sexuelle dans la musique
- Musique -- Aspect religieux
- Mariage -- Rites et cérémonies
- Femmes -- Conditions sociales
- musicians
- MUSIC -- Instruction & Study -- Theory
- MUSIC -- General
- Gender identity in music
- Marriage customs and rites
- Music -- Religious aspects
- Women musicians
- Women -- Social conditions
- 781.70082 23
- ML82
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 157-170) and index.
Introduction -- 1. Women performers and world religions : on ritual, local practice, universals, and comparison -- 2. Wedding lamentation : singing sorrow, embodying the future -- 3. Demeter's lamentation and Baubo's mockery : responses to the marriage (abduction) of Persephone -- 4. Revelry and resistance : prenuptial performances of mockery and ridicule -- 5. Girls's poetry and social critique at Muslim Berber weddings -- 6. Transgression and tarantella among Catholic women in Calabria -- Afterword.
Description based on print version record.
This text documents ways in which women's performance practices engage with and localize world religions while creating opportunities for women's agency. This study draws on the rich resources of three disciplines: ethnomusicology, gendered studies of religion, and religious music studies. It is a meta-ethnography formed by comparisons among different ethnographic case studies. The work analyses women's performances at religious events in cultural settings spread across the world to demonstrate the pivotal roles women can play in localizing the practice of world religions, exploring moments in which performance allows women the agency to move, however momentarily, beyond culturally determined boundaries while revealing patterns that suggest unsuspected similarities in widely divergent religious contexts.
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