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Film bodies : queer feminist encounters with gender and sexuality in cinema / Katharina Lindner.

By: Material type: TextTextSeries: Library of gender and popular culture ; 17.Publisher: London : I.B. Tauris & Co. Ltd, 2018Copyright date: ©2018Description: 1 online resource (xv, 296 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781838608545
  • 1838608540
  • 1838608559
  • 9781838608552
Subject(s): Genre/Form: Additional physical formats: Print version:: Film bodies.DDC classification:
  • 791.43/653 23
LOC classification:
  • PN1995.9.S47 L565 2018eb
Online resources:
Contents:
Introduction: Starting points, directions, tendencies. -- 1. Gender and the body in feminist and queer film criticism -- Film and embodiement: queer-ing film phenomenology -- Queer encounters with feminist politics: dancing bodies in 'The tango lesson' and 'Black swan' -- Queering the sports film: failure and gender (tres)passing in '2 seconds' and 'Offside' -- Céline Sciamma's 'queer' cinema: affirming gestures of refusal in 'Tomboy' and 'Girlhood' -- Conclusion: Collectivities, the familiar and (un)common sense.
Summary: The representation of gender and sexuality is well-explored territory in film studies. The representation of gender and sexuality is well-explored territory in film studies. In Film Bodies, Katharina Lindner takes existing debates into a new direction and integrates queer and feminist theory with film phenomenology. Film Bodies explores the female body's presence in a range of genres including the dance film, the sports film and queer cinema. Moving across mainstream and independent cinema, Lindner provides detailed 'textural' analyses of Black Swan, The Tango Lesson, 2 Seconds, Offside, Tomboy and Girlhood and discusses the queer feminist encounters these films can give rise to. This provocative book is of vital interest to students and researchers of queer cinema, queer/feminist theory, embodiment and affect and offers a unique new way of understanding the relationship between queerness, feminism, the body and cinema.
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Includes bibliographical references (pages 251-288) and index.

Introduction: Starting points, directions, tendencies. -- 1. Gender and the body in feminist and queer film criticism -- Film and embodiement: queer-ing film phenomenology -- Queer encounters with feminist politics: dancing bodies in 'The tango lesson' and 'Black swan' -- Queering the sports film: failure and gender (tres)passing in '2 seconds' and 'Offside' -- Céline Sciamma's 'queer' cinema: affirming gestures of refusal in 'Tomboy' and 'Girlhood' -- Conclusion: Collectivities, the familiar and (un)common sense.

Print version record.

The representation of gender and sexuality is well-explored territory in film studies. The representation of gender and sexuality is well-explored territory in film studies. In Film Bodies, Katharina Lindner takes existing debates into a new direction and integrates queer and feminist theory with film phenomenology. Film Bodies explores the female body's presence in a range of genres including the dance film, the sports film and queer cinema. Moving across mainstream and independent cinema, Lindner provides detailed 'textural' analyses of Black Swan, The Tango Lesson, 2 Seconds, Offside, Tomboy and Girlhood and discusses the queer feminist encounters these films can give rise to. This provocative book is of vital interest to students and researchers of queer cinema, queer/feminist theory, embodiment and affect and offers a unique new way of understanding the relationship between queerness, feminism, the body and cinema.

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