Film bodies : queer feminist encounters with gender and sexuality in cinema / Katharina Lindner.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781838608545
- 1838608540
- 1838608559
- 9781838608552
- Bibel Philemonbrief
- Sex role in motion pictures
- Gender identity in motion pictures
- Women in motion pictures
- Lesbians in motion pictures
- Feminism and motion pictures
- Rôle selon le sexe au cinéma
- Identité sexuelle au cinéma
- Femmes au cinéma
- Lesbiennes au cinéma
- Féminisme et cinéma
- PERFORMING ARTS -- Reference
- Feminism and motion pictures
- Gender identity in motion pictures
- Lesbians in motion pictures
- Sex role in motion pictures
- Women in motion pictures
- Rezeption
- Frau Motiv
- Körper Motiv
- Bewegung Motiv
- Geschlechterrolle
- Geschlechtsidentität
- Feminismus
- 791.43/653 23
- PN1995.9.S47 L565 2018eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 251-288) and index.
Introduction: Starting points, directions, tendencies. -- 1. Gender and the body in feminist and queer film criticism -- Film and embodiement: queer-ing film phenomenology -- Queer encounters with feminist politics: dancing bodies in 'The tango lesson' and 'Black swan' -- Queering the sports film: failure and gender (tres)passing in '2 seconds' and 'Offside' -- Céline Sciamma's 'queer' cinema: affirming gestures of refusal in 'Tomboy' and 'Girlhood' -- Conclusion: Collectivities, the familiar and (un)common sense.
Print version record.
The representation of gender and sexuality is well-explored territory in film studies. The representation of gender and sexuality is well-explored territory in film studies. In Film Bodies, Katharina Lindner takes existing debates into a new direction and integrates queer and feminist theory with film phenomenology. Film Bodies explores the female body's presence in a range of genres including the dance film, the sports film and queer cinema. Moving across mainstream and independent cinema, Lindner provides detailed 'textural' analyses of Black Swan, The Tango Lesson, 2 Seconds, Offside, Tomboy and Girlhood and discusses the queer feminist encounters these films can give rise to. This provocative book is of vital interest to students and researchers of queer cinema, queer/feminist theory, embodiment and affect and offers a unique new way of understanding the relationship between queerness, feminism, the body and cinema.
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