Art and commerce in late imperial Russia : the Peredvizhniki, a partnership of artists / Andrey Shabanov.
Material type:
TextPublisher: New York, NY : Bloomsbury Visual Arts, Bloomsbury Publishing Inc, 2019Description: 1 online resource (xiv, 265 pages) : illustrationsContent type: - text
- computer
- online resource
- 9781501335532
- 1501335537
- 9781501335549
- 1501335545
- Peredvizhniki (Society)
- Peredvizhniki (Society)
- Art -- Economic aspects -- Russia -- History -- 19th century
- Art -- Russia -- Exhibitions
- Art -- Russia -- Societies, etc
- Art and society -- Russia -- History -- 19th century
- Art -- Aspect économique -- Russie -- Histoire -- 19e siècle
- Art -- Russie -- Expositions
- Art et société -- Russie -- Histoire -- 19e siècle
- Individual artists, art monographs
- History of art & design styles: c 1800 to c 1900
- ART -- History -- General
- Art
- Art and society
- Art -- Economic aspects
- Art -- Societies, etc
- Russia
- 1800-1899
- 709.47/09034 23
- N8600 .S52 2019eb
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Heavily Revision of the author's thesis (2013--Courtauld Institute of Art) under the title: Peredvizhniki, or the Wanderers : the social history of an artists' movement in later nineteenth-century Russia.
Includes bibliographical references and index.
Commercial institutionalization, 1870-1871 -- Selling the exhibition, 1871-1897 -- Self-fashioning in group photographs, 1886-1897 -- Revealing the art manifesto, 1888 -- Inaugural success : the first show, 1871 -- Split with the academy : the fifth exhibition, 1876 -- Critical point : the eleventh, twelfth, and thirteenth shows, 1883-1885 -- Self-defence : the partnership's anniversary reports, 1888, 1897 -- Conclusion : the Peredvizhniki in a broader European context.
"Andrey Shabanov's seminal reinterpretation of the Peredvizhniki is a comprehensive study that examines in-depth for the first time the organizational structure, self-representation, exhibitions, and critical reception of this 19th-century artistic partnership. Shabanov advances a more pragmatic reading of the Peredvizhniki, artists seeking professional and creative freedom in authoritarian Tsarist Russia. He likewise demonstrates and challenges how and why the group eventually came to be defined as a critically-minded Realist art movement. Unprecedentedly rich in new primary visual and textual sources, the book also connects afresh the Russian and Western art worlds of the period. A must-read for anyone interested in Russian art and culture, 19th-century European art, and also the history of art exhibitions, art movements, and the art market."--Bloomsbury Publishing
Online resource; title from PDF title page (EBSCOhost, viewed June 3, 2020).
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