Phonopoetics : the making of early literary recordings / Jason Camlot.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781503609716
- 1503609715
- English literature -- Audio adaptations -- History and criticism
- Literature and technology -- History
- Sound recordings -- History
- Oral interpretation -- History
- Phonograph -- History
- Littérature anglaise -- Adaptations audio -- Histoire et critique
- Littérature et technologie -- Histoire
- Lecture publique (Littérature) -- Histoire
- Électrophones -- Histoire
- LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh
- LITERARY CRITICISM -- Poetry
- Literature and technology
- Oral interpretation
- Phonograph
- Sound recordings
- Audiotext
- Gramophone
- Literature
- Media
- Phonograph
- Poetics
- Sound Recording
- Spoken Word
- Victorian
- Voice
- 820.9/008 23
- PR149.A93 C36 2019
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded experiments in modernist verse speaking -- Conclusion : analog, digital, conceptual.
From the invention of the phonograph in 1877 to some of the first recorded performances of modernist works in the 1930s, this book tells the neglected story of early spoken recordings and their significance for the experience and understanding of literature.
Online resource; title from digital title page (viewed on March 01, 2019).
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